When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them." (Nikki)

"Color! What a deep and mysterious language." (Paul Gauguin)

Autumn

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Bigleaf Maple watercolors

Sunday, November 4th, 2012


 

Big Leaf Maple 12H x 16W inches watercolors on 140 lb 100% cotton paper

 Big Leaf Maple near Port Renfrew, Vancouver Island, BC Canada, 12H x 16W inches watercolors on 140 lb 100% cotton paper. Framed size 22H x 26W inches.

Sumac Bushes Chair finished

Tuesday, May 5th, 2009


 

Sumac Bushes, front and back details, acrylics on canvas; functionalSumac Bushes, refurbished directors chair, acrylics on canvas; functional

Sumac Bushes, 47H x 22W x 16D inches refurbished Director’s Chair, acrylics on canvas.

Four cropped pieces of the 1999 painting that inspired this chair hang above it, updated and framed with red narrow plastic w/glass frames. The chair and small paintings are a set.


 

One of four 4 x 3 inch cropped pieces of the original 1999 painting that inspired the directors chair One of four 4 x 3 inch cropped pieces of the original 1999 painting that inspired the directors chair One of four 4 x 3 inch cropped pieces of the original 1999 painting that inspired the directors chair One of four 4 x 3 inch cropped pieces of the original 1999 painting that inspired the directors chair


Branching Out

Friday, March 20th, 2009


 

  Branching Out, 6H x 6W x 2D inches, Encaustic  Conifer, 6H x 6W x 2D inches, Encaustic

Branching Out and Conifer, each 6H x 6W x 2D inches Encaustic, side surfaces also done.

Encaustic is designing/painting with beeswax. I’m not usually intimidated by trying any new medium, but wax is so unique and there are so many possibilities for it, I was a little overwhelmed when I took an introductory course with Deanna Wood. She offers her students workshop days where they can use her supplies to continue experimenting with the medium. Although I’d love to have my own supplies to work at home, the encaustic process is so messy, not to mention expensive to get started, so that is a generous offer.  Today’s studio work produced 4 small encaustic paintings, and 2 are successful. Compared to other media, wax is so versatile it can be scraped off to whatever degree, reworked, layered, carved and manipulated as much or as long as you wish. It’s a lot of fun!

Sweetgum Seed Pods

Wednesday, March 4th, 2009


 

Sweetgum Seed Capsules - Autumn in Texas - 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted

Sweetgum Seed Pods, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted. Signature is on the side, so one is superimposed here on the front. Frame unnecessary. Hang on a wall or display on a flat surface.

 


Sweetgum Pods, 11H x11W x 3D inches acrylics on canvas - wrapped sides painted


Please pass the peace

Saturday, February 14th, 2009


 

Garlic Chive seeds, heart-shaped growth

Garlic Chive seed head, heart-shaped growth

Sumac Bushes director’s chair started

Tuesday, January 6th, 2009


 

Back, 47H x 22W x 16D inches acrylics on canvas, refurbished tall wood director's chair, work in progress

Seat, 47H x 22W x 16D inches acrylics on canvas refurbished tall wood director's chair, work in progress

Sumac Bushes director’s chair started. Back and seat of 47H x 22W x 16D inches acrylics on canvas, will be varnished. Up-cycled tall wood director’s chair, work in progress, functional art. The wood will be painted a cherry color.

Shadows of Summer update

Monday, September 22nd, 2008


 

Shadows Of Summer, 60H x 40W x 3D inches acrylics on canvas, narrow frame
Shadows of Summer, 60H x 40W x 3D inches acrylics on canvas.

Seasonal treasures

Sunday, November 11th, 2007


 

Filigree #1

Filigree #2

While photographing the filigree on many of the decaying oak leaves in a park forest, leaning backwards with my head in the branches, a little green snake struck out at me, the delicate body about 8″ long and no wider than a baby finger. I wrote to the Biology Dept. at Texas University, and they identified it as a Rough Green Snake – Opheodrys aestivus – it’s non-venomous.

Rough green snake - Opheodrys aestivus - nonvenomous, Coppell, Texas

Walking back home completely happy to have chosen that path, expecting no more treasure for the day, a leaf twirled in the breeze, hanging from a spider web strand.

Magical twirling leaf

Gold In The Mountains 01

Sunday, November 4th, 2007


 

Gold In The Mountains 01, 20H x 16W inches acrylics on canvas, antique frame 28H x 24W inches total

Gold In The Mountains 01, finished – 20H x 16W inches acrylics on canvas. Has 28H x 24W inches dark-stained antique frame with gold trim

Started late in 2005, Gold In The Mountains 01 has evolved through many changes to achieve the finished painting above. The first thumbnail shows the painting at a stage where I thought it finished so entered it into Artjury.com’s 2006 Spring/Summer online exhibition. It was accepted, and at the time I liked the larger areas of flat orange-gold, but about six months later I thought the work needed more depth, and the dark branch across the upper portion stood out, so I began a long process of scrubbing off, building back up, scraping and layering paint, repainting, etc. The piece reached a few different stages where it could have been called finished, but I was not entirely pleased, so kept searching. Here are a few stages in the transformation of Gold In The Mountains 01:

  Gold In The Mountains 01, Phase 1 - as it was when accepted in the American Juried Art Salon’s Spring/Summer online exhibition, 20 x 16 inches Acrylics on stretched canvas.   Gold In The Mountains 01, Phase 2 - During May 2006 I started the risky process of reworking the entire painting.   Gold In The Mountains 01, Phase 3 - portions were scrubbed off then rebuilt; explored a lot of different styles.
  Gold In The Mountains #1, Phase 3 - portions were repainted, scrubbed off and rebuilt.   Risking the ruin of a piece is always worth the effort; when I’m not happy with work, it is already inadequate, the best thing is to try and try again until it IS adequate enough to be called finished.   Gold In The Mountains 01, finished - 20 x 16 inches acrylics on canvas, in progress


Gold In The Mountains 01 with antique frame

North Carolina

Monday, October 1st, 2007


 
Old abandoned gas station - Farmville, NCAlain and I flew to North Carolina for three days ( a little business trip and I tagged along—he threatened to take my camera with him and I was sure I could not manage without it!) We drove around the eastern countryside between Raleigh and Washington (NC) through old, old towns (it takes a looong time for wooden doors to shred, and a looong time for conditions to be just right for vines to sprout then twirl round and round, entwined and squished between panes of glass!) …old, old farms: tobacco, cotton, peanuts.. and an interesting gas station.

Sunrise Reflections - Kitty Hawk, NC There is a lot of history in NC – fossil, human/settlers and Civil War history. We stayed at Kitty Hawk (first flight – Wright bros.) and walked the shores at various places along the narrow coast of the Outer Banks. We watched the sun rise and dolphins feed – too far away for good photos, even with the telephoto. As soon as the sun rose they swam away.

Along Cape Hatteras, groups of Grackles ate ripe grass seeds, bouncing up and down on the stems, their bodies too heavy for the tall grasses.

Grackle - Cape Hatteras, NC

On Pony Island a large sand crab tried to buff up and look tough, but it was quite vulnerable there out in the open; all the other crabs scurried into holes but this one stayed, trying to hide in footprints, which offered no protection if we had been birds looking for a hearty meal.

Great fun to watch the behavior for a while. It’s clearly outlined crab-shaped shadow following it everywhere, creating a few graphic photos that are perfect resource material for drawings and paintings but do not stand alone as good photography because it was moving so fast.

Sand Crab - Pony Island, NC

Just off the 2 1/2 hr. long ferry at Swan Quarter, and sunset with a short, wide rainbow after a storm that we managed to escape and watch from the better side.

NO OLF – we were curious about this sign in many people’s yards. The following website shows a video describing how the U.S. Navy has purchased over 30,000 acres of land near the eastern North Carolina coast, planning to move their pilot training program from Virginia.

Rainbow - Swan Quarter, NC

Part of the huge controversy is that over 75 families would be forced to leave their homes, many of them farming that land for generations. The human issues are enough, but the cause and effect on the wildlife and ecology would be drastic and irreparable. Thousands of ducks and large flocks of snow geese that feed in the area annually would no longer have sanctuary. The large birds would also be a danger to the jets.

http://www.youtube.com/watch?v=3XDmC1LD1Kc

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