When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them." (Nikki)

"Color! What a deep and mysterious language." (Paul Gauguin)

Autumn

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Calgary in September

Thursday, May 18th, 2006


 

Calgary In September 14 x 11 inches oil pastels on paper, framed size 26 x 22 inches
Calgary in September, 14H x 11W inches oil pastels on paper, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish. Part of the Paper Places series.

Post-dated note: Won Second Place in the Paintings category in Plano Art Association’s annual One-Two-Five Show Exhibition in Plano, Texas April 11 – May 8, 2007. I think of pastels to be drawings because no brush is involved, but they are commonly categorized in competitions as paintings…heck, if it wins a prize, does it really matter?

Goldenrod

Sunday, April 23rd, 2006


 

Goldenrod, late Summer in Southern Alberta, 14H x 11W inches oil pastels on paper
Goldenrod, late Summer in Southern Alberta, 14H x 11W inches oil pastels on paper, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.

This piece exemplifies the individuality of each in the Paper Places series; not attempting depth or realism so much here as playing with design, contrasting colors and texture.

Gold In The Mountains 02

Sunday, April 2nd, 2006


 

Gold In The Mountains, Kananaskas Valley, Alberta, Canada 14 x 11 inches oil pastels on paper
Gold In The Mountains 02, Kananaskas Valley, Alberta, Canada, 11H x 14W oil pastels on paper, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
Aspen / Poplar trees in the Rocky Mountains during Autumn display large yellow-gold leaf masses, represented here with strokes in a diagonal direction. Textures in varying directions add interest, as in tree trunks  marked vertically across the entire page, grounding the drawing as a whole with regard to composition. The green-black portion displays the vertical growth of evergreens.  Horizontal strokes were appropriate for the mountain, with the golden glow of distant poplars softening its nature and place it back in distance.

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