When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them." (Nikki)

"Color! What a deep and mysterious language." (Paul Gauguin)

Art for sale

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Salt Spring Island Fog

Monday, July 14th, 2008


 

Salt Spring Island Fog, 18 x 24 inches pencil, eraser, dry pastels, colored pencils on paper, framed size 28.5 x 34.5 inches.

Salt Spring Island Fog, 18H x 24W inches graphite, eraser, dry pastels, colored pencils on paper, burnt umber frame size 29H x 35W x 3D inches, accepted for the Visual Arts Society of Texas 2009 Calendar. All accepted original works will be displayed. Meet the Artists and purchase a signed calendar (or more!) on November- December, 2008 at The Chestnut Tree in Denton, TX.

Post-dated Note: Article published in the Denton Record Chronicle, Entertainment section February 8th, 2009

VAST 125 Mile Exhibition

Monday, June 30th, 2008


 

White Pine Bows, 20H x 34W x 2D inches acrylics on canvas, wrapped sides painted, trim frame
White Pine Bows, 20H x 34W x 2D inches acrylics on canvas, wrapped sides painted, trim frame, just accepted into the 125 Mile Exhibition July 24th – August 15, 2008 presented by VAST in partnership with the Department of Visual Arts at Texas Women’s University (TWU).

Opening Reception on July 31st, 2008 5:30p.m. – 7:30p.m. July 31st, 2008 at the TWU Arts and Sciences Building, Denton, TX.
Post-dated note: Sold in 2010.

New marketing strategies

Sunday, May 11th, 2008


 
Grackle Party, Dallas Texas, 11H x 9W inches graphite and colored pencils

Grackle Party, Dallas Texas, 11H x 9W inches graphite and colored pencils, white double mat, white frame with crackle finish

In her Wed. April 30th blog post, my friend Chris Bolmeier writes about an older painting she revitalized, and in this case it improved dramatically.  Surprise 2 supports what I wrote in yesterday’s post: many paintings need a period of rest before we know how to solve them. In any Artist’s home/studio there are at least ten or so paintings hanging around or put away in unfinished states. If it isn’t sold immediately, chances are 50/50 it will continue to change as we attempt to improve it until we know it’s truly finished.

Chris is trying new marketing strategies, and offering anyone who sells her work a 20% cut. A little out of the ordinary to show and offer another artist’s work for sale on my own website, but this is a brilliant idea she has, and I don’t mind trying to help promote her work. Good Luck with your sales, Chris!

Artini, Shaken Not Stirred

Friday, April 25th, 2008


 

Artini, Shaken Not Stirred - 24 x 24 inches acrylics on stretched canvas, hung diagonally

Artini, Shaken Not Stirred – 24H x 24W inches acrylics on canvas, wrapped sides painted, frame unnecessary, hung diagonally.

Cedar, Stony Swamp

Monday, January 14th, 2008


 

Cedar, Stony Swamp Ottawa, ON, Canada 12H x 9W inch watercolor and graphite on 40lb cold-pressed premium WC paper

Cedar, Stony Swamp, Ottawa, ON, Canada, 12H x 9W inch watercolor and graphite on 40lb cold-pressed premium watercolor paper. Framed size 26H x 22W inches.

Heart Shapes in Nature series

Tuesday, December 25th, 2007


Heart Shapes in Nature, ongoing photographic series

Heart Shapes in Nature is an ongoing photographic series. Love is infinite. Wishing happy holidays no matter what your faith, and Merry Christmas!

 

Trees paintings updates

Thursday, December 6th, 2007


 

Sun Shower 01, central detail - 85H x 45W x 2D acrylics on canvas, sold

Sun Shower 01 is now sold! Above: central detail of the 85H x 45W x 2D acrylics on canvas.

Morning Light shown below, 48H x 36W x 2D inches acrylics on canvas, narrow frame. Also sold but a similar one can be replicated. Please allow up to 14 days to create before shipping.

Morning Light, 59H x 40W x 2D inches acrylics on canvas, narrow frame. Sold but a similar one can be replicated. Please allow 7 - 14 days to create before shipping.


 

Morning Light, $1,100.00 special order            Buy Now Using PayPal

 



Now showing and available for purchase at Studio 2600 until January 2, 2008. 2600 Hibernia, in Dallas:
Sun Shower 03, photography,  Moon over Cypress, oil pastels, and  Dawn, acrylics on canvas

Gold In The Mountains 01

Sunday, November 4th, 2007


 

Gold In The Mountains 01, 20H x 16W inches acrylics on canvas, antique frame 28H x 24W inches total

Gold In The Mountains 01, finished – 20H x 16W inches acrylics on canvas. Has 28H x 24W inches dark-stained antique frame with gold trim

Started late in 2005, Gold In The Mountains 01 has evolved through many changes to achieve the finished painting above. The first thumbnail shows the painting at a stage where I thought it finished so entered it into Artjury.com’s 2006 Spring/Summer online exhibition. It was accepted, and at the time I liked the larger areas of flat orange-gold, but about six months later I thought the work needed more depth, and the dark branch across the upper portion stood out, so I began a long process of scrubbing off, building back up, scraping and layering paint, repainting, etc. The piece reached a few different stages where it could have been called finished, but I was not entirely pleased, so kept searching. Here are a few stages in the transformation of Gold In The Mountains 01:

  Gold In The Mountains 01, Phase 1 - as it was when accepted in the American Juried Art Salon’s Spring/Summer online exhibition, 20 x 16 inches Acrylics on stretched canvas.   Gold In The Mountains 01, Phase 2 - During May 2006 I started the risky process of reworking the entire painting.   Gold In The Mountains 01, Phase 3 - portions were scrubbed off then rebuilt; explored a lot of different styles.
  Gold In The Mountains #1, Phase 3 - portions were repainted, scrubbed off and rebuilt.   Risking the ruin of a piece is always worth the effort; when I’m not happy with work, it is already inadequate, the best thing is to try and try again until it IS adequate enough to be called finished.   Gold In The Mountains 01, finished - 20 x 16 inches acrylics on canvas, in progress


Gold In The Mountains 01 with antique frame

Polypore Fungi finished

Thursday, November 1st, 2007


 

Polypore Fungi, 58H x 41W x 2D inches acryilcs, modeling paste on canvas, wrapped sides painted, narrow frame

Polypore Fungi  finished – 58H x 41W x 1.5D inches, acrylics, modeling paste, plaster on canvas, wrapped sides painted, narrow frame

One of the goals for this painting was to see if a composition could remain balanced with the main subject offset to the right. With Petra’s suggestion there is more contrast, also scrubbed some paint away for more background to show through.
Mushrooms, bacteria, molds, lichen and other non-flowering plants are lesser appreciated life forms that help maintain the healthy life cycles of forests by aiding the decay and conversion of plant and animal matter into nutrient-rich soil.

Polypore Fungi, detail #1 - fungi are carved modeling paste, plaster

Polypore Fungi, detail #2 - fungi are carved modeling paste, plaster

Dandelions In the Tulips

Friday, October 19th, 2007

Dandelions in the Tulips, 16H x 20W inches acrylics on canvas without frame


 

Dandelions in the Tulips, detail imageDandelions in the Tulips, 16 x 20 inches acrylics on canvas with maple wood frame stained dark with red trim design, total size 22H x 28W inches. Available with or without the frame.

Simply “Tulips” as a title would have been too obvious. Dandelions are persistent. Likewise, I’m pleased to have persevered through the course of painting this one; it went through many changes and I learned a lot. Gradual build-up of textures and colors, layers of piling on, scrubbing off and reapplying paint — those parts show through. Painting with pure color in Firewheels, plus grey scale drawing earlier this year really contributed to finding a way to finish this painting. Next two thumbnails show phases of work in progress:

Dandelions Among the Tulips just started, 16H x 20W inches acrylics on canvas Dandelions Among the Tulips, work in progress

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