When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them." (Nikki)

"Color! What a deep and mysterious language." (Paul Gauguin)

Art for sale

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Dancing With Trees 02

Tuesday, October 9th, 2007


 

Dancing With Trees 02, 48H x 48W x 1D inches acrylics, matt and semi-gloss glaze medium, and semi-gloss varnish on canvas, trim frame
Dancing With Trees 02, 48H x 48W x 1D inches acrylics, matt and semi-gloss glaze medium, and semi-gloss varnish on canvas, scene continues onto trim frame. Detail images below.
Layers of glaze washes used in final stages: Hansa yellow light, Phthalo blue, Phthalo green, Permanent green, Thio violet, Mars black, Cadmium red light, Dioxazine violet.
This piece is an example of work that does not reflect the original vision but is turning into something much more interesting. To help enhance the character of cedar branches I’ve dripped water, paint, glazes, and varnish across patches of color, splattered it on with a brush and also painted it turned upside down. This left sheen and textures not captured in photos; best seen in person.
Dancing With Trees 02, started August 30th – several progression details posted on different dates are combined in this post. The oil pastel with the same name, first version, posted in March 2007, inspired the painting.


 

  Dancing With Trees started Aug.30, 2007   Dancing With Trees in progress: Sept. 4   Dancing With Trees - Sept. 6
  Dancing With Trees - Sept. 10 details   Dancing With Trees - early details using drips   Dripping varnish, and painted upside down

 

  

  

 

Emerald Tree Boas

Saturday, August 4th, 2007


 

Emerald Tree Boas - Dallas World Aquarium - 24H x 57W x 2D inches acrylics on canvas

Emerald Tree Boas, 24H x 57W x 2D inches acrylics on canvas, wrapped sides painted, trim frame

This painting accumulated finer detail than is typical of my work, except in graphite illustrations. The Emerald Tree Boas are one of my favorite exhibits at the Dallas World Aquarium (Texas). Their beautiful green skin has striking black and white scale patterns along the spine and a turquoise mother-of-pearl overall sheen that’s visible at certain angles where the body delicately curls and bends.
It would be nice if this painting could carry enough potency to alter the automatic responses of fear and disgust that are associated with snakes. I made Santa hats with construction paper and cotton balls, taping them on as part of our Christmas decorations.

  Left detail, Boas' Christmas, construction paper, cotton balls taped on Emerald Tree Boas, 24 x 57 x 3 inches acrylics on canvas Right detail, Boas' Christmas, construction paper, cotton balls taped on Emerald Tree Boas, 24 x 57 x 3 inches acrylics on canvas

Travel

Monday, July 30th, 2007


 

Morrill, Nebraska

Morrill, Nebraska

 Driving up through Oklahoma, Nebraska, Wyoming, then Montana to Alberta. Awesome, awesome. Back to Dallas August 8th.

The Lazy U Motel, northwestern Nebraska

Lisco, Nebraska – The Lazy U Motel

Southeastern Montana, sunset

Storm cloud, Montana - mid July

Southeastern Montana

Montana - Grain elevators

Lucas at the Museum

Wednesday, May 23rd, 2007


 
Lucas at the Museum,11 x 14 inches graphite on paper

 Lucas at the Museum, 11 x 14 graphite on paper. Original NA. Prints available. 22 x 26″ white mat and frame.

Post-dated note: Lucas at the Museum is part of the Growing Up and Looking Back Exhibition: Reflecting on Childhood, Parenting, and Home in Swainsboro, GA October 13 – November 3, 2007

March Winds

Thursday, March 15th, 2007


 

March Winds, Coppell, Texas, 14H x 11W inches oil pastels on paper, ode to Jackson Pollock via oil pastels.

March Winds, ode to Jackson Pollock via oil pastels. 14H x 11W inches oil pastels on paper with 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.

“… the painting has a life of its own. My mission is to bring forth this life”.        Jackson Pollock

Styles are an intuitive response to place, emotional memories, subject, media, etc. When March Winds was finished it reminded me of some of Jackson Pollock’s work, which I never really understood until this piece unfolded in a similar manner.

Showcased in Grand Prairie Arts Council (GPAC) Open Juried Art Show and Sale September/October, 2007. Grand Prairie Memorial Library 901 Conover Drive, Grand Prairie, Texas.

Dancing With Trees 01

Tuesday, March 13th, 2007


 

Dancing With Trees 01 Cedar hedge, Coppell, Texas USA 14 x 11 inches oil pastels on paper
Dancing With Trees 01, 14H x 11W inches oil pastels on paper, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.

Linden Sunset

Monday, March 5th, 2007


 

Linden Sunset

Linden Sunset, Springtime in Coppell, Texas. Photography available as 11H x 14W inches print, 16H x 20W white double mat

It wasn’t until reviewing all the photos I took this evening that I noticed a tiny surprise on one of the Linden flower buds. Right place, right time. Thank you Universe!
Post-dated note: Linden Sunset is accepted for the Artjury.com 2007 Fall/Winter Juried Online Exhibition.


 

$50.00          Buy Now Using PayPal


 

Four Corners

Wednesday, February 7th, 2007


 

Four Corners, 16H x 20W x 1 inches acrylics, Arizona sand, thick gel medium on canvas
Four Corners, 16H x 20W x 1 inches acrylics, Arizona sand, thick gel medium on canvas.
Inspired by the Four Corners area of western U.S., where Arizona, Utah, Colorado and New Mexico meet. The rocks and soil vary rich shades of red, and turquoise has been treasured and used in everyday objects by Navaho and other tribes in the area for centuries.

First Snow, started

Monday, January 15th, 2007


 

First Snow, 36H x 24W inches acrylics and crackle medium on canvas, work in progress

First Snow, 36H x 24W inches acrylics and crackle medium on canvas, work in progress
First Snow has many layers and blobs of paint. A damp cloth dipped in white was wiped lightly across the textured surface to create the effect of snow powder. Crackle medium also works well to help with the impression of snowfall. The scene is of tall Spruce trees in Calgary, Alberta where, on September 1st, the day I was to return to Dallas I awoke to a gentle snowfall and powder on the trees.

Morning Light

Thursday, November 30th, 2006


 

Morning Light, 48H x 36W inches acrylics on canvas, sides wrapped, narrow frame stained dark brown
Morning Light, 48H x 36W x 2D inches acrylics on canvas, sides wrapped, narrow frame stained dark brown
Post dated note: Morning Light was accepted into the 2007 American Juried Art Salon’s Spring/Summer Juried Exhibition online, and Studio 2600 Light, Shine and Sparkle Dec. 2007 – Jan. 2008.
Now sold but can be replicated in same spirit as original. Please allow at least 14 days to recreate before shipping.

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