When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them." (Nikki)

"Color! What a deep and mysterious language." (Paul Gauguin)

Art for sale

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Paint Arson

Thursday, March 26th, 2009


 

Paint Arson, Sequoia and Redwood National Forest, California, 11H x 11W x 3D acrylics on canvas, wrapped sides painted

Paint Arson, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted.

Frame unnecessary. Hang on a wall or display on a flat surface. Signed on the side so as not to impose on the composition.


 

Progress and process phases 1 and 2 images.

  Paint Arson, 11 x 11 x 3 inches acrylics on canvas, phase 1 work in progress Paint Arson, 11 x 11 x 3 inches acrylics on canvas, phase 2 work in progress


 

Paint Arson, 11H x11W x 3D inches acrylics on canvas - wrapped sides painted


 

Painting, whatever the subject may be, is a journey through all kinds of unanticipated thoughts and associations; some are short and sweet, ending within 1 – 6 hours and not much more than a visual, but some are packed full of adventure that isn’t even realized until surfacing from a few hours of work.
A new jar of Cadmium Red medium hue was just the thing to reboot, then re-route some old habits I was falling back into, like over-working paintings. Trying a new color invigorates the work process like nothing else can, adding certain life to the results as well. Incorporated as a base, straight out of the tube or mixed with your usual palette, a new color can change everything.

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Branching Out

Friday, March 20th, 2009


 

  Branching Out, 6H x 6W x 2D inches, Encaustic  Conifer, 6H x 6W x 2D inches, Encaustic

Branching Out and Conifer, each 6H x 6W x 2D inches Encaustic, side surfaces also done.

Encaustic is designing/painting with beeswax. I’m not usually intimidated by trying any new medium, but wax is so unique and there are so many possibilities for it, I was a little overwhelmed when I took an introductory course with Deanna Wood. She offers her students workshop days where they can use her supplies to continue experimenting with the medium. Although I’d love to have my own supplies to work at home, the encaustic process is so messy, not to mention expensive to get started, so that is a generous offer.  Today’s studio work produced 4 small encaustic paintings, and 2 are successful. Compared to other media, wax is so versatile it can be scraped off to whatever degree, reworked, layered, carved and manipulated as much or as long as you wish. It’s a lot of fun!

Myrtle At The Zoo

Monday, March 9th, 2009


 

Myrtle At The Zoo, Crepe Myrtle Seed Pods and Zebra in January, Fort Worth Zoo, TX - 11H x 11W x 3D inches acrylics on canvas, sides painted

 

 Myrtle at the Zoo, 11 x 11 x 3 acrylics on canvas, phase 4 bottom side detail

Myrtle At The Zoo – Crepe Myrtle branches and seedpods before pruning, February at the Fort Worth Zoo, Texas. 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted. Signature is on the side, so one is superimposed here on the front. Hang on a wall or display on a flat surface.

 

Myrtle at the Zoo, 11 x 11 x 3acrylics on canvas, phase 1 Myrtle at the Zoo, 11 x 11 x 3acrylics on canvas, phase 2 Myrtle at the Zoo, 11 x 11 x 3acrylics on canvas, phase 3

Howler Monkey

Friday, March 6th, 2009


 

Howler Monkey, 11 x 11 x 3 inches acrylics on canvas, sides painted

Young Howler Monkey at the Dallas World Aquarium, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted. Frame unnecessary. Hang on a wall or display on a flat surface. Signed on the side so as not to impose on the composition.


 

Young Howler, 11H x11W x 3D inches acrylics on canvas - wrapped sides painted


 

Work progress detail images shown, scrubbing and scratching away more paint than adding it.

Howler Monkey, 11 x 11 x 3 inches acrylics on canvas, phase 01 Howler Monkey, 11 x 11 x 3 inches acrylics on canvas, work in progress

Showcased in the J. Mane Gallery’s Fins, Feathers and Fur 2020 exhibition (post-dated comment).

The Visitor: Raccoon

Thursday, March 5th, 2009


 

Raccoon, Ottawa, ON Canada, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted

The Visitor: Raccoon, 11H x 11W x 3D inches acrylics on canvas, sides painted. Frame unnecessary. Hang on a wall or display on a flat surface.


 

The Visitor, 11H x11W x 3D inches acrylics on canvas - wrapped sides painted


 

Progress and process details:

Raccoon, 11 x 11 x 3 inches, acrylics on canvas, work in progress Raccoon, 11 x 11 x 3 inches, acrylics on canvas, work in progress

Sweetgum Seed Pods

Wednesday, March 4th, 2009


 

Sweetgum Seed Capsules - Autumn in Texas - 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted

Sweetgum Seed Pods, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted. Signature is on the side, so one is superimposed here on the front. Frame unnecessary. Hang on a wall or display on a flat surface.

 


Sweetgum Pods, 11H x11W x 3D inches acrylics on canvas - wrapped sides painted


Bird’s Eye

Saturday, February 28th, 2009


 

Bird's Eye, Banff, Alberta, Canada, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted

Bird’s Eye, Banff, Alberta, Canada, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted. Frame unnecessary. Hang on a wall or display on a flat surface. Signed on the side so as not to impose on the composition.
 
Progress thumbnail images below:

 Bird's Eye, Phase 1 work in progress Bird's Eye, Phase 2 work in progress

St. Catharine’s Sunset

Friday, February 27th, 2009


 

St. Catharine's Sunset, Ontario, Canada - 11H x 11W x 3D acrylics on canvas, wrapped sides painted
St. Catharine’s Sunset Ontario, Canada just north of Niagara Falls, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted. Frame unnecessary. Hang on a wall or display on a flat surface. Signed on the side so as not to impose on the composition.

St. Catharine's Sunset, phase 01 dripping water down wet surface St. Catharine's Sunset, phase 02 dripping pthalos green and cadmium red light hue from the bottom, drawing with brush St. Catharine's Sunset, right detail, all sides painted

There is no one method for starting a painting.  When faced with a blank white surface, sometimes our mind can go blank too. When that happens I use a base color that inspires energy. Here, water and paint were dripped down a wet surface of Hansa Yellow Deep. Painting intuitively with a wide raggedy old brush, the fraying bristles are used to advantage, and those marks direct how the painting proceeds.

This painting is dedicated to my Mom, born in St. Catherine’s, Ontario, Canada whose birthday was two days ago.


 

St. Catharines Sunset, 11H x11W x 3D inches acrylics on canvas - wrapped sides painted


Winter Reflections

Thursday, February 26th, 2009


 

Winter Reflections, Coppell, TX, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted

Winter Reflections, winter in Coppell, TX, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted. Frame unnecessary. Hang on a wall or display on a flat surface. Signed on the side so as not to impose on the composition.
 

Winter Reflections, 11 x 11 x 3inches, acrylics on canvas, wrapped sides painted Winter Reflections, top detail, wrapped sides painted

Jack Pine

Wednesday, February 25th, 2009


 

Jack Pine, Banff, Alberta, Canada - 11H x 11W x 3D acrylics on canvas, wrapped sides painted

Jack Pine, 11H x 11W x 3D inches acrylics on canvas and detail of right side; wrapped sides painted. Signature is on the side, so one is superimposed here on the front. Hang on a wall or display on a flat surface.

Jack Pine, 11 x 11 x 3 inches acrylics on canvas, sides painted Jack Pine, 11 x 11 x 3 inches acrylics on canvas, detail of sides

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