Sun Shower 04 work in progress, June 19th after a layer of white wash; white diluted with matte medium, then am giving the whole surface a layer of streaks of masking medium to bring all that texture out again that was there at the start. Tomorrow will start another painting and study this one before going back into it. My husband said this morning “Uh-oh Nik, you’re losing control of it”. He’s not an artist and rarely comments on paintings, but he sees things that I don’t. He saw exactly what I was starting to feel about the work. More accurately, I was starting to take too much control.

June 19th                     June 17th

Who would save a drowning rat? These two little boys, Haydon and Noel would.
When I arrived at the neighborhood pool this morning they had just scooped a helpless rat out of the water with a little pail. It was still alive but barely, and the oldest boy who was six years old, explained to me about the circle of life – he used this term, not me. He explained that if rats died then snakes could not live, and so that’s why he saved it. I was impressed, but their other new pool playmate, a toad also discovered in the water… not so much!

Canna Lily leaves.

…a new addition to the Roots Garden Sculptures, from a dead thyme plant.

The Good: all the little unexpected surprises, like this toad that I never would have seen if it had not popped out of the hole at the exact moment I happened to be looking there. The clay container with a hole in the center is designed to coil and contain garden hose, but being used as a plant pot. Good: The beautiful orange flowering plant is called a Sun Star.
The Bad: having no choice about mowing the lawn on a 98*F day, and keeping edges formally trimmed because the neighbors have it that way. Also Bad: Fire ants that bite before you know you’re standing on a nest with bare feet…but Good: Fire ants keep the tough Texas soil aerated. The Ugly: me with ant-bite blisters, mowing and edging the lawn on a 98*F day.

Three nights ago, I was out taking photos of storm clouds in the setting sun, and flock of herons crossed by.

Seeing Spots, 12 x 12 inches oil pastels on paper, scanned and reworked with a digital pen. The sun is so strong today, I was outside for only about ten minutes then came indoors and this is all I could see in front of me.

I wonder if the Anole that lives indoors with us thought it saw lunch when it climbed near the two photos of strawberries, pictures of my sons when they were two and three years old.

May 30th: Today I’m starting to remove miles of rubberized masking medium. It’s so exciting to unravel the results; they look a little like Batik, where wax or resist is applied then removed.

Sunshower 04, 49 x 85 x 3 inches acrylics on canvas. 29th: Starting to build thin layers of acrylics, gel medium and water. As previously posted, when painting is all finished I plan to remove all of the masking medium and reveal the original colors underneath.  Paint catching on the textured surface gives the look of 3D raindrops…very interesting, and in retrospect I don’t know why it wasn’t obvious that this would occur.

I was mostly thinking ahead about the atmosphere and negative spaces. There are so many things that you can’t anticipate or put into a plan, that you only discover by doing, even the obvious. As the painting changes you have to keep changing your plan along with it. Preconceived ideas are a must, but you have to be willing to let go of some and stay open to others. This is what I love so much about painting..how one thing leads to another; planning and surprises working together. Now this will have multidimensional surface of every grade from watercolor-like washes to thick applications of paint.

May 28th: Anxious to finish placing the raindrop patterns and get to painting the light rays. The next layers of paint will resist those raindrop areas. I’m usually content to go with the flow, following how the painting gradually comes together. With this painting I have to think ahead, visualize, and plan the completed piece more than usual. As the canvas fills in more with the resist, mark-making is more strategic. I can’t wait to see how it will look when the resist is removed.

May 26th: …am on the third bottle of masking medium. Soon the surface will be ready to start painting light and dark sun rays, layering color washes of acrylics and gel medium.

May 23rd: As I fill in with streaks of masking medium to block off areas of rain, progress is slow because of the painting’s size, but I work a little on it every day. Toothpicks keep breaking, and my hand gets cramped and numb after a few hours, so I bought some of the smallest paper pencils usually used for smudging graphite, and those are working out much better. I devised a sort of brush with a few toothpicks taped to a brush handle, but this is awkward to use, and there is not much control over mark placement. One streak at a time.