Young Howler Monkey at the Dallas World Aquarium, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted. Frame unnecessary. Hang on a wall or display on a flat surface. Signed on the side so as not to impose on the composition.

Work progress detail images shown, scrubbing and scratching away more paint than adding it.

Showcased in the J. Mane Gallery’s Fins, Feathers and Fur 2020 exhibition (post-dated comment).

The Visitor: Raccoon, 11H x 11W x 3D inches acrylics on canvas, sides painted. Frame unnecessary. Hang on a wall or display on a flat surface.

Progress and process details:

Sweetgum Seed Pods, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted. Signature is on the side, so one is superimposed here on the front. Frame unnecessary. Hang on a wall or display on a flat surface.

Jone’s Falls,  near Thousand Islands, Southern Ontario, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted. Frame unnecessary. Hang on a wall or display on a flat surface.

Sold.

 
Some barely noticeable lines were scratched on wet paint here and there, and they break up the space  into sections now, if you compare the 3rd thumbnail and the finished piece.

Bird’s Eye, Banff, Alberta, Canada, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted. Frame unnecessary. Hang on a wall or display on a flat surface. Signed on the side so as not to impose on the composition.
 
Progress thumbnail images below:

St. Catharine’s Sunset Ontario, Canada just north of Niagara Falls, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted. Frame unnecessary. Hang on a wall or display on a flat surface. Signed on the side so as not to impose on the composition.

There is no one method for starting a painting.  When faced with a blank white surface, sometimes our mind can go blank too. When that happens I use a base color that inspires energy. Here, water and paint were dripped down a wet surface of Hansa Yellow Deep. Painting intuitively with a wide raggedy old brush, the fraying bristles are used to advantage, and those marks direct how the painting proceeds.

This painting is dedicated to my Mom, born in St. Catherine’s, Ontario, Canada whose birthday was two days ago.

Winter Reflections, winter in Coppell, TX, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted. Frame unnecessary. Hang on a wall or display on a flat surface. Signed on the side so as not to impose on the composition.
 

Jack Pine, 11H x 11W x 3D inches acrylics on canvas and detail of right side; wrapped sides painted. Signature is on the side, so one is superimposed here on the front. Hang on a wall or display on a flat surface.

Dancing With Trees 03, 85H x 45W x 3D inches acrylics on canvas, wrapped sides painted, trim frame. Signature piece for the Dancing With Trees exhibition, formerly entitled ‘The Majesty of Trees’.  There is no black in this painting; the darkest areas are dioxazine purple. Aside from a couple of areas that are still questionable this painting is now finished. Specifically: I’m not sure about adding shadows and contrast on the bark of the main trees because it may take away from the cheerful expression of colors.

Progress in previous posts:  January 19th and 30th

The name of the exhibition changed to ‘Dancing With Trees’ to avoid plagiarizing the title of a book, ‘The Majesty of Trees’.

Finished today: added some life to End of Tulip Season, 14H x 11W oil pastels on paper.

Images of progress

Except for the fact that paper has a limit to how much it can be reworked before it starts stretching, I could keep revising these drawings in the Paper Places series continually!  Some of them are finished in a day, and truly finished. Some drawings seem OK when they are finished, but have areas that are not quite there yet, so they are left for a month or a year or two then taken out and reworked. It’s great exercise playing with color and composition. Some are taken too far, but with regard to learning, effort is never wasted. Change characterizes this series too; change of place, change of time, change of styles, changing what’s already been changed.