Bonsai Garden, Chinese and Japanese Gardens, Singapore, 9H x 12W inches graphite on paper, white mat and 15H x 18W inches white frame with crackle finish.

Masjid Sultan,  (Malay for Sultan Mosque), Kampong Glam district, Singapore, 9H x 12W inches graphite on paper, white mat and 15H x 18W inches white frame with crackle finish.

Cockatiels, Jurong Bird Park, Singapore, 9H x 12W inches graphite on paper, white mat and 15H x 18W inches white frame with crackle finish. Check out the Jurong Bird Park website.

Showcased in the J. Mane Gallery’s Fins, Feathers and Fur 2020 Exhibition.

Parkview Square Building, Singapore  11H x 14W inches graphite on paper

The opportunity to travel to Singapore popped up with a few days notice. While I’m here the plan is to do at least one sketch per day. The new series is called “Twenty-five Days in Singapore”. I drew the upper portion of the very unique Parkview Square building from my hotel room over the course of two days while recuperating after the 28 hour flight from Dallas. At a cost of $87 million, the Art Deco style building was completed in 2002. The eight fiberglass figures each holding a light-ball guard the building, only hint at the sort of art and design to expect on the grounds and the gorgeous interior.

 
Lilacs, 36H x 24W x 2D inches acrylics on canvas, wrapped sides painted, narrow frame tidies edges. Hang vertically or horizontally.
Process details, left: a damp cloth is used to remove areas of wet paint to soften and create texture, also dripping water over damp paint and scratching with fingernail under a cloth. Sturdy home-built stretcher frame. The painting can hang horizontally or vertically.

Support Your Artists slogan, design copyright nikkiartwork 2008, decals available.

Artwork: Waiting For The Sun by Virginia Wieringa, 24 x 36 inches acrylics on canvas. I just met an artist-pen-pal whom I never expected to meet, and she’s as intelligent and enthusiastic in person as she has been online for the past four years. Virginia is adventurous and open-minded, yet soundly rooted in her spiritual faith – and therefore so is her art. I especially enjoyed the little 4 x 6″ sketchbook that she shared with me, where a number of ideas for paintings originate as she draws in it during church sermons. I think it’s really funny that she doesn’t listen in church, and she doesn’t preach, she works… and her work speaks volumes. I’ve mentioned Virginia in previous posts — she’s been so supportive, even promoting my work on her own website. Thanks “VA”!

Iris, 24 x 18 inches Oil Pastels on paper

Basic Drawing and Color Play

Workshops

Dates:
1) Saturday, May 15th 10:30 a.m. – 4:00 p.m.
2) Saturday, May 22nd 10:30 a.m. – 4:00 p.m.

Ages: Young adult (16) – Adult – Seniors

Experience Level:
Beginners to Experienced Artists, maximum number of participants: 6

The Workshop:
We will sketch simple objects using a variety of loosening-up techniques, graduating to a more complex still-life arrangement, fun with color, then a longer study period in the afternoon.
Supplies:
Bring favorite reference photos or items that you’d like to study, sketchpad and supplies that you usually work with. A variety of papers and drawing supplies will be on hand to experiment with during class. Also bring beverage and lunch.

Fees:
Registration (pre-paid) – $50.00 Oxide Gallery 501 West Hickory St., Denton, Texas 940-483-8900

Registration Deadlines:
March 12th and March 19th – Maximum Students per Class 6

Paintings as shown are not to scale in comparison to one another

The Dancing With Trees Art Exhibition celebrates the importance of trees and forests throughout history, portraying their diversity and relationships through a variety of creative associations. Twenty three of the paintings in this collection are on exhibit in the Steinhauer Trust Gallery at the University of Wisconsin-Madison Arboretum, May 1st through June 30th, 2010. Opening Reception Saturday May 1st, 12:45 – 4:00 p.m.

All life forms on this planet proliferated, continue to flourish, and ultimately depend on the existence of trees. While the message is urgent, I consider humanity’s role on the planet as positive, with the statement that creativity is our greatest asset; that “Our carbon footprint is worthy”. Further, creative thinking is our most primal, yet highly advanced and ever-evolving contribution toward solutions to healing wrongs done and changing ingrained habits to ones that are more appreciative of the environment in general.

Purchase Art here                    

2D Pine Cone, diagonal 28 x 28 x 1 inches, acrylics on woven canvas strips, wrapped sides painted, signed on the back so as not to intrude on the design.