First Snow 03 – 01 replicated – finished commission

Queen Anne’s Lace, 14H x 20W inches watercolors on paper

Lilies at the Butchart Gardens, Victoria BC, 18H x 24W inches graphite on 140 lb cold pressed premium. Detail image:
 

Tidying up the garden mid-season, the periwinkle benefit from an aggressive cut-back, so these decorative balls were made with the vines that would otherwise end up in the yard waste bin. These vine balls can be created any size and the larger ones don’t require much more effort than the small. Tomato cages prop up larger balls perfectly if you don’t have hooks. Inexpensive solar lights were removed from the stakes and snuggled into the top of each woven ball where they emit a peaceful glow at night.

_______________________________________________________________

How to create: use fresh periwinkle vines stripped of leaves. Dried vines are difficult to work with, and even soaking does not reconstitute them satisfactorily, so plan to make balls the same day vines are harvested.
Make a loose wreath, wire-wrapped at opposite ends. Pull out 1/4 of the vines from the main section to each side, wrapping centers with wire. You will then have 2 wreaths interlocked. Continue adding and weaving in extra groups of vines in a symmetrical fashion. Keep pulling smaller groups of vines together until the ball is compact, constantly judging and defining the shape.

Like anything made by hand, the first stages are most difficult and may seem like a chaotic mess, but stick with it and you’ll be happy you did.

Tips: 1) 24 gauge florist wire is most finger-friendly 2) the solar lights don’t sufficiently recharge if dropped inside so are placed on top where they still show off shapes nicely in the dark. 3) Virginia Creeper is excellent for this except it irritates the skin, so check into that if experimenting with other materials. 4) don’t use blackberry vines.

_______________________________________________________________

Snapdragons, 14H x 20W inches watercolors on 140 lb cold pressed premium

Fallow Field with Red Clover, Hillsboro OR countryside, 14H x 20W watercolors. Framed size approx. 20H x 26 inches.

Stellar’s Jays finished, Nimkish Lake campsite, Vancouver Island BC, 18H x 24W inches watercolors on 140 lb. cold pressed. Framed size 27H x 33W inches: white mat and white wood frame with crackle finish.
Stellar’s Jays are not seen in groups like this, perhaps only seen 3 together at most, so in that sense the portrayal is not accurate, but the aim here is to show a collage of 11 birds representing their distinct character.

Indian Paintbrush, Mt. St. Helen’s Washington, 14H x 20W inches watercolors on 140 lb cold pressed. Framed size approx. 20H x 26W inches – white mat and white wood frame with crackle finish.

This article and set of photos, initially written in 2008 and updated in 2018, honors the tireless efforts to halt construction on John’s Island, South Carolina that would have encroached on an area of land boasting the Oak tree estimated to be 400 to 500 years old. Thanks to conservation and other local groups like schools and churches, individual donors, pro-bono work from lawyers, a sizable grant, and numerous petitions, we are reassured that persistence does make a difference on this planet.  The land surrounding the Angel Oak is no longer in jeopardy. Read more about this amazing tree.

Charleston, SC is proud of its heritage and respected for its commitment to preserving history in the area, and after many years, residents were finally victorious over plans that would have cut down nearby trees and forest in favor of land development.
In one 2008 online petition there were hundreds of pages of interesting comments and pleas from residents who have fond memories of climbing the branches as children, plus exclamations written by tourists – national and international – who have visited the area specifically to see the Angel Oak. The tree is so significant to locals, a nearby elementary school carries its name. Picnics, weddings and reunions are held in the Angel Oak Park, including an annual summer Arts event, “Evening under Angel Oak” featuring live music, drama and other activities.
During August, 2008 my husband and I drove through South Carolina and took a short detour to John’s Island. We drove through wicked rains at the edge of  Tropical storm Faye, so when we arrived at Angel Oak Park no one else was there. Although the light was not ideal, fortunately rain subsided long enough to take photos.
This is one impressive tree! The trunk and lower branches are so immense, they have been propped up with stakes and heavy cables here and there, which is a little intrusive when taking photos, but obviously necessary. Growth is spread outward more than upward. No wonder it is considered sacred by the locals… there is an appreciable presence felt while standing silently under its canopy, which apparently occupies 2,000 yards of space above.

It occurred to me that this tree has lived through one serious chunk of history, and I wondered what was happening on our planet when it was knee-high to an acorn? The Angel Oak’s parent-tree and surrounding forest flourishes for eons before one special acorn falls from one of the magnificent Oaks on the southeastern shores of a land only known to the indigenous peoples then. The acorn sprouts along with many others, but this one will outlive the rest, seasoning hurricanes, climate changes, human encroachment and wars.
Much of what we are familiar with; our collective modern identity has been shaped by the events and people who lived and died since the Angel Oak established its first roots in the earth. If trees could talk…!
The Angel Oak does not exist on its own. It depends on the surrounding forest, so any deliberate disturbance in the immediate soil or neighboring properties would disrupt its far-reaching and delicate root system. Thankfully, now the tree will remain host to a myriad of life forms, supporting an abundant, specialized ecosystem of mosses, fungi and fern varieties, insects and amphibians – hopefully for five hundred more years. The Angel oak lives on as one of the true jewels on this planet.

While older, poorer quality photos are still gradually being replaced, the Majesty of Trees / Dancing with Trees exhibition website is now updated. Check it out!

Raccoons, Ottawa ON Canada – 14H x 20W inches watercolors on 140 lb cold pressed. Framed size approx. 20H x 26W inches – white mat and white wood frame with crackle finish.