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Monday, October 22nd, 2007
Polypore Fungi, 59H x 41W x 2D, acrylics on canvas, work in progress. Started in June, hung and studied in the loose-phase state; cautious about overworking it. Plans this week: most everything will stay out of focus, with details only on the fungi using a little modeling paste to sculpt. Modeling paste is applied in layers, drying in between, becoming permanent and adhered well to the canvas. Applying too thick at once creates cracks and unstable structures.
A tale of two drawings
Friday, September 21st, 2007
Northern Delights 01, Banff, Alberta, Canada, 14H x 11W graphite, water-wash pencil, oil pastel, colored pencils on paper. 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
and
Redbuds 03, Eastern Redbuds blooming on a foggy Spring morning in Coppell, Texas. 14H x 11W oil pastels, graphite, water-wash graphite, colored pencils, eraser on paper
Browsing for pieces to enter in a juried exhibition, I came across two drawings started in March that have a lot in common. Both scenes are low-light situations that were achieved by lots and lots of layering, scraping, redrawing, and using the eraser over pastels for blending as well as erasing. Both are experimental re: oil pastels vs. paintable water-wash graphite pencil.
Rude Awakening
Tuesday, August 28th, 2007
Three quaint old apartment buildings in the Strathcona District on Whyte Avenue in Edmonton, Alberta were demolished to make way for a large condominium complex — a shame, considering all the new windows that were just replaced a few years ago. To remove them beforehand would not be financially viable for the new builder, but it’s not the way things are done in oil-rich Alberta these days. Everything: fridges, furnaces… someone’s home the week before — smashed and crushed within 36 hours.
Individuals would gladly use these second-hand materials, even volunteer to take them out. China would kill for that wood. The trip to Mexico is still fresh in my mind, and of how they utilize everything, even wire frames of old mattresses as fence material. This destruction was wasteful, almost painful.
On the other hand, it was very interesting to watch! It’s these sorts of extremes that conjure up perplexing conflicting emotions, and all the travel this year leaves me with so much revitalized energy to draw upon for a long time. I haven’t been painting, but these kinds of experiences are where all worthwhile art originates.
Summer Storms
Wednesday, August 22nd, 2007
Evening storm clouds accumulating at about 5:30 p.pm. mid July in Stony Plain, Alberta
Sky appears to be falling, Airdrie Alberta, July 2007
Train and storm, Montana in July
Damselflies
Saturday, August 11th, 2007
… just returned from Alberta, where this summer’s hot temperatures have maintained high numbers of dragonflies and damselflies. These ones will have offspring born in Airdrie, just outside of Calgary.
Raccoons
Thursday, July 5th, 2007
Bold and as curious about us, a family of five raccoons played in a willow tree in our son Adrian’s back yard, Ottawa, Ontario
Maple leaves, Kingston, Ontario
Tuesday, July 3rd, 2007
…back after two weeks of driving from Texas to Ontario and back the long route this time through North Carolina just so we could see it, and thanks to the invention of the digital camera my daily image requirements remain satisfied! Maple trees are common almost everywhere between Texas and Canada, here are some branches in honor of Canada Day, held on July 1st. This shot was taken at Jones Falls Dam near Kingston, Ontario.
Aspen, Banff National Park
Thursday, March 22nd, 2007
“Northern Delights 01, Aspen at a protected Bison reserve, Banff National Park, Alberta Canada – 14H x 11W inches oil pastels and water-wash pencils on paper, white double mat, 22H x 26W inches white frame with white crackle finish
First Snow, started
Monday, January 15th, 2007
First Snow, 36H x 24W inches acrylics and crackle medium on canvas, work in progress
First Snow has many layers and blobs of paint. A damp cloth dipped in white was wiped lightly across the textured surface to create the effect of snow powder. Crackle medium also works well to help with the impression of snowfall. The scene is of tall Spruce trees in Calgary, Alberta where, on September 1st, the day I was to return to Dallas I awoke to a gentle snowfall and powder on the trees.
Sun Shower 01
Friday, December 1st, 2006
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Sun Shower 01, 85H x 45W x 2D inches acrylics on canvas, used watercolors resist medium, narrow dark wood frame. (now sold)
This painting went through an interesting work process, made connections with some of my existing painting methods, and shed light on new ones.
1) Sun Shower detail – masking medium, usually used with watercolors to keep areas white, was dotted with a toothpick all over where raindrops would be. 2) about 1.5 hours after starting. 3) after about 5 hours of work. 4) after about seven days.
The tall Ponderosa Pine is in our oldest son’s front yard in Ottawa, Ontario. A small covered balcony overlooks the yard and the tree dominates, providing lots of shade there. Last summer while sitting on the balcony, as it poured rain the sun kept shining. The street beyond sparkled, and branches were heavy with raindrops. It was an hour of incredible beauty that inspired this painting.
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