Art for sale
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Thursday, December 6th, 2012
Flamboyant Tree Flowers and Seed Pods – Chapala, Mexico – 9H x 12W inches oil pastels on paper, white mat
Birch Stand
Friday, November 30th, 2012
Work details: 1. applying resist medium 2. working with the challenge of a limited palette, watercolors were also dripped down the page. Tomball watercolor pen adds more details.
Birch Stand, 12H x 16W inches watercolors on 120 lb cold pressed 100% cotton paper. Framed size 22H x 26W inches.
Fairy Lake Sumac
Tuesday, November 13th, 2012
Fairy Lake Sumac – Sumac bushes during Fall, Fairy Lake BC Canada, 16H x 20W inches with mat, oil pastels on 140 lb W/C paper.
This piece has a base of watercolor crayons, which I hadn’t heard of before and was excited to try. The crayon colors were weak though, and they do not paint well either, so oil pastels were layered on top with areas scratched away using fingernails and pottery tools.
At the Alamo 02
Monday, November 5th, 2012
The Alamo, San Antonio, Texas, Stone walkway on the grounds, 15H x 22W inches watercolors on 80 lb premium acid free paper, white mat.
Bigleaf Maple watercolors
Sunday, November 4th, 2012
Big Leaf Maple near Port Renfrew, Vancouver Island, BC Canada, 12H x 16W inches watercolors on 140 lb 100% cotton paper. Framed size 22H x 26W inches.
Transplanting Daisies
Wednesday, October 17th, 2012
Transplanting Daisies, 36W x 12L x 3D inches graphite and acrylics on canvas, narrow trim. Details of work in progress:
Missing routine
Thursday, October 11th, 2012
The Campsite, 24 x 30 inches watercolors on 140 lb cold pressed premium
I finally brought my watercolor paints back from my son’s place in Canada, where I left them so they wouldn’t freeze on the 5-day drive back west last November. Driving again, I’ve just returned from this year’s visit, when I gave my grandson a one-of-a-kind fabric book hand-made for his first birthday, Colors for Cameron. I plan to make him something special every year.
So, with a couple of new brushes and 12 x 16″ paper block, and now with the rainy season upon us back in Oregon, I look forward to establishing a routine of painting again. Invigorated by a summer full of gardening and flowers, the stunning scenery across America this time of year, plus reviewing archives of work I haven’t seen for ages, I’m all set to splash out some new watercolors. Our Portland house is a renovator’s dream/nightmare!, and we’re not out of the woods yet. Attempting to focus more on art than house, smaller paintings are more manageable and less of a production than my typically large canvas paintings…however, I’m curious to experiment and see how watercolors behave on primed canvas at some point!
Chrysanthemums
Tuesday, June 26th, 2012
Chrysanthemums, 85W x 45H 3D inches graphite, charcoal, soft pastels, fixative with primer used as paint on white 100% cotton. Grey narrow frame. This is a beautiful painting, impressive because of its size and the expressionistic style of the flowers. The small photo doesn’t do it justice, so some detail images are provided below. It’s hanging in our family room on a grey wall beside the Chrysanthemums Chair. They do look great together!
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Practical design
Tuesday, December 21st, 2010
“Necessity is the mother of invention.”
Aesop’s Fables
Oak Leaf bedside tables, 24H x 12W inches with a 20-inch glass top. Large, crinkled paper mâché leaf-shapes are creased, folded and arranged over the top of heavy cardboard tubes. The tubes are available in a variety of dimensions, sold in hardware stores as use for cement foundations.
I’ve had this idea to make bedside tables for a few years now, and selling the house, prepping it in a minimalist way for viewing has motivated me to finally make them. Faux suede effects were the intention here, and I’m pleased with the results. it really does look like suede. A brown circular woven mat covers the glass and hides the space looking into the tube.
Zen Garden #10 almost finished
Wednesday, November 10th, 2010
Zen Garden 10, 40 x 60 x 3 inches mixed media on canvas.
The final stages of this paintings will be finished as it hangs on a wall. As seen in a realistic room setting, it will be easier to spot whatever might make the composition more interesting. Some colors may need to be re-enhanced to add more depth and definition, but I also like the overall faded look, so we’ll see. The texture continues around all 3D edges. This painting is extremely heavy, as it is on a home-built canvas stretcher, so it will be transferred onto a lighter-weight stretcher if it sells. It will still be stable, but practical. All paintings in the Zen Garden series are wired to hang in any of 4 orientations: vertically or horizontally. Below: details of left central portion as seen in the above.
