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« Previous EntriesNorway Maple: final progress, combined posts
Sunday, February 28th, 2010
March 9th: have been working more on tones in the background, which weren’t planned initially; I had hoped to use only pure colors without the usual layering, but it’s otherwise too hard to look at. Also am connecting a few shapes horizontally, and it’s almost “there”, but 2D Pinecone was started in order to avoid overworking this.
March 6th: a huge thanks, Virginia for taking the time to write and digitize a detailed, objective critique. I sure appreciate your opinion about what might improve this. Spotted Cow Syndrome eh? Yes, you’re absolutely right. There needs to be one focus somewhere; left thumbnail shows another day of work..still in progress.
Sorry if you’re having problems registering to this site in order to make comments, but those rotten spams get through..
Norway Maple in Madison, Wisconsin, 36 x 48 x 2 inches acrylics and modeling gel on canvas, gallery wrapped sides painted.
Feb. 28th, above right: detail of above, left Adding a solid patch of turquoise to lower left and some tiny details like that may ground the whole thing, but that’s about it; am leaving it out of sight for a while. This really is a carnival of color, I love it!
Below thumbnails: Combined, edited posts of progression between Dec. 8th, 2009 - Feb. 27th, 2010 1) Started December 8th, 2009 2) Modeling gel is available in varied textures, finishes and viscosities. Acrylics paint can be mixed with the medium or when dry paint can be applied over top. 3) January 18th, 2010: work in progress; applying modeling paste to the base painting, and sculpting with a small trowel. 4) February 27th: lighter background colors were added in order to open up the space. The painting is too busy at this stage - a little heavy with brushstrokes actually, and needs to flow better.
Left: Jan 28th, detail image - used a dry brush so paint would catch mostly on the textures, and kept the feeling soft. Intentions are to maintain the fresh pure colors. Studied from a distance for about a week after this stage to contemplate what the next move will be.
All paintings and Art forms created from now until the end of April will be specifically toward the Dancing With Trees Exhibition to be held at the Steinhaur Trust Gallery, Wisconsin-Madison University Arboretum, scheduled May through June 2010.
Good things come in threes
Wednesday, February 10th, 2010
Cycad Fossil Chair, Salish NW Pacific culture wooden whorl replica Chair, and Ancient Mayan bowl replica refurbished vintage chair, 29 x 29 x 29 inches mixed media. More details about these chairs can be viewed here, items #11, 12 and 13.
On exhibit and available for purchase February 11th - 27th at Visual Image Fine Art Puiblishing and Gallery Juried Show, 14320 Midway Road, Suite 300, Dallas, Texas. Come and meet all the Artists at the Opening Reception this coming Saturday, Feb. 13th, 3 - 9 p.m.
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Good Artist Pals also come in threes
Some friendships will last forever, and how fortunate that three of mine also happen to be artists! Listed in no particular order of favoritism, each are miles apart geographically speaking and personality-wise, but they all have one thing in common: they’ll tell it like it is if you ever need a good critique, and on the flip side of the coin: a smile, a boost of energy; encouragement. I’ve posted my favorite works created by each, and highly recommend browsing each of their websites..
a) Chris Bolmeier: Happy Pigs, Oil on canvas I met Chris on the internet three years ago through Robert Genn’s Painter’s Keys newsletters. Formerly an actress and professional singer, she’s not through yet with entertaining you through humour, song and paint. She often posts mini-videos of herself singing, and her artwork is pure, straight from the gut, and some of the funniest, most original material ever. Her blog, which she entitles poignantly, ”Christerical” is exactly that. I chose this piece to share as an absolute favorite, portraying fanatically goofy pigs because it makes me laugh…not just smile, but laugh Christerically every time I look at it. In my opinion her best work is of childhood memories, and some of the baffling stuff that originates from who knows where in the infinite canvas of her mind!
b) Karen Xarchos: Restaurant mural in Ottawa, Ontario, Canada Karen and I were neighbors many years ago. We designed and painted murals together in the Ottawa area for a couple of years. Thank goodness for the internet, we’re able to keep in touch when either of us needs a good eye and some honest advice. Karen’s style and mine are vastly different; our pace, the style, the manner and we continue to learn so much from each other. She reminds me to slow down and smell the paint; her blending techniques are amazing.
Karen accepts commissions for canvas pieces like wall borders painted at home, then cleverly installs them with wallpaper paste so home owners can remove the work and take it with them when they relocate. My favorite work of Karen’s are the murals depicting work of the Masters, which are enjoyed by customers dining in many of the Greek and Italian restaurants in the Ottawa area.
c) Virginia Wieringa: Prayer, mixed media collage Virginia and I met about four years ago on an Artists’ interactive website, wetcanvas.com, and I think she still participates there under the avatar name ”Veedubya”. I’m positive she’d love to meet you there too. Virginia has well-developed drawing and painting abilities and currently experiments intuitively with mixed media collage. Her work, no matter what the media, reflects her open-mindedness and strong sense of spirituality. Formerly an Art teacher, she’s fun to write to because she puts up with my inner-most silly self and doesn’t hold back her own. My favorite work of Virginia’s are the subtly symbolic collages, and some of the more vivid, energetic paintings that are about two phases pre-Realism.
The Tree of Life
Monday, November 30th, 2009
The Tree of Life, 29 x 29 x 29 inches mixed media; refurbished vintage plastic lawn chair, woven canvas strips and white glue, thin layers of drywall compound: cured, sanded, carved, acrylics paint, varnish. Durable, completely functional.
There was an interesting buildup of colors after a lot of changing colors and repainting the design many times, so the impressions of this chair are created like the other chairs in this series; ancient artifact replicas. The back design is still in progress. View an earlier post of this chair, April 18th, 2009, and the other chairs are listed on the Art, Prices page.
Bird Party
Tuesday, November 17th, 2009
Bird Party, Watercolors on molded 140 lb watercolor paper - in progress.
I’m not exactly sure where this is headed, but shapes were cut out of the painting, the paper drenched , folded , stretched and sculpted. Every evening just before sunset in the Dallas-Fort Worth area Grackles, blackbirds, Starlings and pigeons gather on lawns, parking lots, overhead wires and cables, rooves and trees. The event is unique to this area as far as I know, and exciting beyond words to be amongst the thousands and thousands of birds. Here is a previous piece on the subject.
What Large Leaf Maples Do At Night
Monday, May 25th, 2009
What Large Leaf Maples Do At Night, 20 x 57 x 4 inches Muslin, glue, acrylics on wrapped canvas, customized LED light system in back.
Alain signed his name on this also, because he spent last week and the weekend designing, soldering and wiring a system of 30 led lights for the back. He was disgusted with the eight inadequate push-lights I was initially going to use to create this Day and Night Art. The electric source is a rechargable 12 volt battery placed neatly in the back, with an easily accessable on-off switch in the lower left corner. He’s not thrilled to ever create another, so it looks like I’ll be learning a little about soldering and electronics, because there are similar plans for the other two canvases exactly like this one. The original plan for it to be hung in any of four orientations had to be revised because of the battery pack in the back, but the option of lighting is much more interesting. Thank you Alain for making this piece what it is!
______________________The original blog posts; process:___________________
Sumac Bushes Chair finished
Tuesday, May 5th, 2009
Sumac Bushes 47H x 22W x 16D inches refurbished directors chair, acrylics on canvas
Four cropped pieces of the 1999 painting that inspired this chair hang above it, framed red; the chair and small paintings are a set.
Click here to view the previous post January 6th.
Fossils Chair, Homage to The Earth - finished
Wednesday, April 22nd, 2009
Fossils Chair, Homage to The Earth , started in January and finished today, except for refining the bark fossil patterns. The original posts of the process are included here also. 29 x 29 x 29 inches refurbished vintage chair, canvas strips, plaster, carved, acrylics, varnish, waxed. Above: detail, front Below: details,back
Left:The back of this chair has authentic 225 - 345 million year old fossilized clam shells embedded around the circumference. Next, the Encyclopedia Britannica listing. The fossils were found in a mixture of playground pebbles in Dallas, TX.
Portrayed on the front of the chair is the fossil of a Cycad, the first of palm-like trees that grew about 50 million years ago in a Wyoming riverbed. The first trees on Earth were actually nothing more than woody stems standing in and absorbing nutrients from water. Patterns of fossilized Paleozoic Lepidodendron bark- leaf scars are painted on the underside of the chair. Lepidodendron were a primitive species of the very first trees on earth, reaching heights of 130 feet (40 m) tall around 400 million years ago. Can we even relate to those numbers? That’s what I love about fossils - holding one and trying to comprehend Earth’s timeline is mind-blowing!
January 14th and January 24th updates, below: front details, work in progress on back/underside of the chair. After this stage, all details will continue to be refined with more carving and layers of acrylics. Haven’t done many details on the trilobites yet. The colors in the palm leaf still are too vibrant for a fossil, but are a perfect underlying color because it shows through when layers of blues and black are wiped away with a cloth.
January 13th:Lower detail of Fossil Chair, carved plaster, Acrylic paint inlay, sanded. In progress. Trilobites will have painted detail.
January 12th: While sanding the wood for the Sumac Bushes Chair during coffee breaks, I have started the Fossil Chair, paying homage to the fact that without trees, all life on Earth would not be so prolific, and might not exist at all. Fish and Trilobytes are carved into the plaster on the front surface of the chair as well. in this series.
Sumac Bushes director’s chair
Tuesday, January 6th, 2009
Back and seat of 47H x 22W x 16D inches refurbished tall wood director’s chair, work in progress. Acrylics on canvas, will be varathaned.. functional Art. The wood will be painted a dark faux cherry wood finish; reddish burnt sienna.
Salish Whorl Chair finished
Saturday, December 20th, 2008
About the chairs: Art on Art on Art - A Tribute to Creativity
Each functional, comfortable 29 x 29 x 29 inch replica of ancient Art or artifact re-utilizes vintage plastic lawn chairs that were considered Art during the 1960’s. The original structures, damaged or unusable were refurbished by a process of weaving canvas strips along with white glue paper-mache style over the entire plastic top and bottom, and multiple layers of drywall compound sanded in between coats. Designs are drawn with graphite, painted with Acrylics and a few coats of varnish for durability, then waxed to finish and enrich the colors. Two more Solaire chairs and other styles of chairs are in various stages of completion yet to be embellished with historic Art themes from other cultures. Other styles of chairs are also in progress.
The skeletal structure of these chairs, called Solaire chairs, were manufactured during the 1960s and 1980s. Art in their own day, these particular ones were unusable; in poor condition they were bound for the landfill sight. Originals designed by Fabiano and Panzini, a French Canadian team, the Solaire chairs are now collectors items, some selling for $500 a piece.
The first chair given a facelift produced a large replica of a Mayan bowl. The Mayan culture (Mexico, Guatemala, Belize and parts of Honduras, 900 B.C. - 900 A.D. Common Era) developed a very complex written language using pictographs. Many of these were facial expressions and hand gestures. The bowl displays the birth of the Maize God, and along the top edge the name of the bowl’s owner is written, as well as possibly what it was used for.
Salish Carved Wood Whorl
Whorls are weights that stabilize spindles used for spinning yarn. The yarn in this case would have been wound just above the whorl. Spinning yarn and weaving fabric are some of humankind’s oldest technology. Left: example of a spindle with whorl, Eve Spinning Illuminated Manuscript c. 1170 A.D.
Historically everywhere wood has been used for tools, utensils and everyday items, 
they were often carved. This spindle whorl was used by a Salish Northwest Pacific coast community living south and east of Vancouver Island. Here a central human figure holds two otters. A Kwakiutl (also living in Vancouver Island territory) prayer to a Cedar tree prayer was very much a part of the inspiration for this chair. It reads: “Look at me friend! I come to ask you for your dress, since there is nothing you cannot be used for. I come to beg you for this, Long-life maker”.
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December 18th: Finishing details, further definition with Acrylics and two coats of varathane, waxed. Decided against the decoupage of the Kwakiutl (also living in Vancouver Island territory) prayer to a Cedar tree because it does not look as good as hoped. December 16th: Carved the plaster in areas then inlaying purple for contrast rather than black. Purple glazes also make yellows much richer. 
Right: back of chair, rubbed off areas give a carved effect. The undercoat of yellows shines through succeeding layers, and carved wood textures are created with varathane leaving raised brushstrokes..and trying whatever else I can think of! More modeling with plaster and light sanding, then redrawing with graphite, and the design is continually adjusted.
New chair started: Salish Wooden Whorl
Sunday, December 14th, 2008
This functional replica of a Salish Carved Wood Whorl re-utilizes a 1960’s plastic lawn chair, 29 x 29 x 29 inches that was considered Art in its own day. The refurbished chair has woven canvas strips and white glue applied paper-mache style over the entire plastic top and bottom. Multiple layers of wall plaster are sanded in between coats. The design is sketched with graphite then painted with acrylics, and drawing is continually adjusted as layering of materials continues.
This is the second chair of four in the historic Art-themed series. The other two chairs are in the earlier stages of progress.
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