Morning moon, Lewisville, TX

Male Cardinal at the Dallas Arboretum, Dallas TX, 24H x 24W inches acrylics and masking medium on canvas, trim frame. Sold.

Cardinals are one of my favorite subjects. On walks I see them in the open, but good photos of them are elusive, as they hide just beyond the branches so perfect shots are next to impossible. Branches here are partially in front, placed around the bird in the abstract shape of a nest. The cardinal in the painting really is that chubby. He is well fed at the Dallas Arboretum.
There were two separate applications of masking medium, used traditionally in watercolor paintings. Second phase: trying to highlight the bird’s interaction with its environment and hoping to find a way to do more than provide the expected sort of cardinal portrait. Adding Pthalos Blue wash changes the mood and the season, maybe even the time of day…interesting what one or two brushes of color can do.

 One male Cardinal returns regularly to our yard with his mate who chirps quick, sharp notes. I discovered this when thinking that our air conditioner needed servicing, and going out to see what the consistent squeaking was. The pair laid eggs in one of our back yard bushes during May this year. I half-hoped the eggs would be red! The nest was made to perfection with a tightly woven bowl of dry grass, leaves, twigs, and pieces of plastic garbage, so artfully crafted.

 
Three Photos will be on exhibit and available for sale at the City Streets Exhibition at Studio 333, Sausalito, California  October 25 – December 6, 2007

Burnt Offerings 01 – From Burnt Offerings the photographic series consisting of ten images of the devastating results after an explosion that rocked downtown Dallas on July 25, 2007, in an acetylene and propane warehouse. In the distance: the famous Reunion Tower.

Grey Phase – Dallas, Texas. With a history and reputation for competing with Houston to attract visitors to stay in a beautiful, safe, and interesting downtown area, Dallas makes room for new buildings and upgrades existing ones. This photo: Demolition on the corner of Commerce and S. St. Paul Street, across from the infamous Dallas Grand Hotel which has been vacant and in a serious state of disrepair for many years, now planned to also receive extensive renovations.

True Colors 63 – An original photo of one of the digitally manipulated images in the True Colors website series.  A cow wanders the streets of San Antonio, Mexico. Nonchalantly meandering through the neighborhood, tether rope dragging on the road beside her, it’s as if this cow has simply left for a short walk and no one, even the owner, ought to worry about her finding her way home.

 
Alain and I flew to North Carolina for three days ( a little business trip and I tagged along—he threatened to take my camera with him and I was sure I could not manage without it!) We drove around the eastern countryside between Raleigh and Washington (NC) through old, old towns (it takes a looong time for wooden doors to shred, and a looong time for conditions to be just right for vines to sprout then twirl round and round, entwined and squished between panes of glass!) …old, old farms: tobacco, cotton, peanuts.. and an interesting gas station.

 There is a lot of history in NC – fossil, human/settlers and Civil War history. We stayed at Kitty Hawk (first flight – Wright bros.) and walked the shores at various places along the narrow coast of the Outer Banks. We watched the sun rise and dolphins feed – too far away for good photos, even with the telephoto. As soon as the sun rose they swam away.

Along Cape Hatteras, groups of Grackles ate ripe grass seeds, bouncing up and down on the stems, their bodies too heavy for the tall grasses.

On Pony Island a large sand crab tried to buff up and look tough, but it was quite vulnerable there out in the open; all the other crabs scurried into holes but this one stayed, trying to hide in footprints, which offered no protection if we had been birds looking for a hearty meal.

Great fun to watch the behavior for a while. It’s clearly outlined crab-shaped shadow following it everywhere, creating a few graphic photos that are perfect resource material for drawings and paintings but do not stand alone as good photography because it was moving so fast.

Just off the 2 1/2 hr. long ferry at Swan Quarter, and sunset with a short, wide rainbow after a storm that we managed to escape and watch from the better side.

NO OLF – we were curious about this sign in many people’s yards. The following website shows a video describing how the U.S. Navy has purchased over 30,000 acres of land near the eastern North Carolina coast, planning to move their pilot training program from Virginia.

Part of the huge controversy is that over 75 families would be forced to leave their homes, many of them farming that land for generations. The human issues are enough, but the cause and effect on the wildlife and ecology would be drastic and irreparable. Thousands of ducks and large flocks of snow geese that feed in the area annually would no longer have sanctuary. The large birds would also be a danger to the jets.

http://www.youtube.com/watch?v=3XDmC1LD1Kc

Northern Delights 01, Banff, Alberta, Canada, 14H x 11W graphite, water-wash pencil, oil pastel, colored pencils on paper. 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.

and

Redbuds 03, Eastern Redbuds blooming on a foggy Spring morning in Coppell, Texas. 14H x 11W oil pastels, graphite, water-wash graphite, colored pencils, eraser on paper

Browsing for pieces to enter in a juried exhibition, I came across two drawings started in March that have a lot in common. Both scenes are low-light situations that were achieved by lots and lots of layering, scraping, redrawing, and using the eraser over pastels for blending as well as erasing. Both are experimental re: oil pastels vs. paintable water-wash graphite pencil.

	Frame detail images:

Milkweed Melody finished. Oh, the joy of color! 27H x 33W inches Oil Pastels on 140 lb cold pressed premium on WC paper. Has brassy-gold frame painted with an extension of the drawing, frame detail images above. Below: work as it was in progress.

Lucas at the Museum, 11H x 14W inches graphite on paper, originally posted March 23, 2007 – today notified as part of the exhibition Growing Up and Looking Back – Reflecting on Childhood, Parenting, and Home at Gallery RFD in Swainsboro, GA October 12th – November 3rd, 2007.
See more of the Children Series, graphite illustrations available as cards, matted prints and framed prints.

Dancing With Trees 02, 48H x 48W x 1D inches acrylics on canvas. Layers of glaze used in final stages: Hansa yellow light, Pthalo blue, Pthalo green, Permanent green, thio violet, Mars black, Cadmium red light, Dioxazine violet

It’s the sky’s turn to dance! White glaze will attach itself to the varnish I dripped on the other day.

Dancing With Trees 02, started August 30th – 48H x 48W acrylics on canvas – progression details are combined into one post. The oil pastel with the same name, posted in March 2007, inspired the painting.

I’ve tried lots of new things with this one – am hoping to keep just the impression of branches. I don’t want too many details.  Using washes and glazes to help create the cedar branch texture I’ve dripped water, paint, glazes, and varnish across patches of color, splattered it on with a brush and also painting upside down.