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Tuesday, March 13th, 2007

Dancing With Trees 01, 14H x 11W inches oil pastels on paper, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
Pinion at Sunset
Sunday, March 11th, 2007

Pinion at Sunset, Coppell, TX USA, 14H x 11W inches oil pastels on paper, has 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
Linden Sunset
Monday, March 5th, 2007
Linden Sunset, Springtime in Coppell, Texas. Photography available as 11H x 14W inches print, 16H x 20W white double mat
It wasn’t until reviewing all the photos I took this evening that I noticed a tiny surprise on one of the Linden flower buds. Right place, right time. Thank you Universe!
Post-dated note: Linden Sunset is accepted for the Artjury.com 2007 Fall/Winter Juried Online Exhibition.
First Snow, started
Monday, January 15th, 2007
First Snow, 36H x 24W inches acrylics and crackle medium on canvas, work in progress
First Snow has many layers and blobs of paint. A damp cloth dipped in white was wiped lightly across the textured surface to create the effect of snow powder. Crackle medium also works well to help with the impression of snowfall. The scene is of tall Spruce trees in Calgary, Alberta where, on September 1st, the day I was to return to Dallas I awoke to a gentle snowfall and powder on the trees.
Sun Shower 01
Friday, December 1st, 2006
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Sun Shower 01, 85H x 45W x 2D inches acrylics on canvas, used watercolors resist medium, narrow dark wood frame. (now sold)
This painting went through an interesting work process, made connections with some of my existing painting methods, and shed light on new ones.
1) Sun Shower detail – masking medium, usually used with watercolors to keep areas white, was dotted with a toothpick all over where raindrops would be. 2) about 1.5 hours after starting. 3) after about 5 hours of work. 4) after about seven days.
The tall Ponderosa Pine is in our oldest son’s front yard in Ottawa, Ontario. A small covered balcony overlooks the yard and the tree dominates, providing lots of shade there. Last summer while sitting on the balcony, as it poured rain the sun kept shining. The street beyond sparkled, and branches were heavy with raindrops. It was an hour of incredible beauty that inspired this painting.
Morning Light
Thursday, November 30th, 2006
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Morning Light, 48H x 36W x 2D inches acrylics on canvas, sides wrapped, narrow frame stained dark brown
Post dated note: Morning Light was accepted into the 2007 American Juried Art Salon’s Spring/Summer Juried Exhibition online, and Studio 2600 Light, Shine and Sparkle Dec. 2007 – Jan. 2008.
Now sold but can be replicated in same spirit as original. Please allow at least 14 days to recreate before shipping.
Moon Over Cypress
Wednesday, September 27th, 2006

Moon Over Cypress, 14H x 11W inches oil pastels on paper, framed with 3-inch white double mat and 26H x 22W inches white wood frame with crackle finish.
This turned out differently than what I originally envisioned — it’s much better because the paper shows through like stars and reminds me of time lapse photography. It is a rare piece in this series that came together quickly and will not be reworked.
Post dated note: accepted into Studio 2600’s Holiday Light and Sparkle Exhibition Nov. 2007-Jan. 2008. Now sold.
Moon Over Myrtle finished
Tuesday, September 26th, 2006

Moon Over Myrtle, morning moon over Crepe Myrtle tree, Lewisville, Texas, 14H x 11W inches oil pastels on paper with 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
This is another oil pastel drawing that went through a few transformations while posting on a popular interactive artist’s website, wetcanvas.com. It was noted after posting this stage that the sky looked more like water, so I played around with ideas that might make it look less so using computer alterations first, a new tool for me, then altering the drawing itself.
Moon Over Myrtle, stages
Sunday, September 24th, 2006
Work in progress online with other artist’s comment exchanges.. While trying to change the look of water where sky was intended, at one point it looked like there was a shark shape, so with the computer I added it for fun. Continually scraping away areas then rebuilding and trying ways to give it more depth, then for some reason Cezanne came to mind so I looked him up to learn more about life and work. I learned more about Cubist ideas by applying them than reading about them years ago.
Wild Canada: Stony Swamp Trail
Tuesday, August 1st, 2006
Stony Swamp Trail, Ottawa, Ontario Canada, Paper Places series, 14 x 11 inches oil pastels on paper with 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish. The series inspired the accompanying poem:
It remains
when things are gone
and people passed
and roads
and paths
and places
we belong
to the essence.
Intuitive response to subject matter impart individual character to each piece, so styles are deliberately different.
Post-dated note: Stony Swamp Trail was accepted for The Artist Showplace Gallery’s Annual Juried Exhibition, February – March 2007.
