When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them." (Nikki)

"Color! What a deep and mysterious language." (Paul Gauguin)

trees

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Cedar, Stony Swamp

Monday, January 14th, 2008


 

Cedar, Stony Swamp Ottawa, ON, Canada 12H x 9W inch watercolor and graphite on 40lb cold-pressed premium WC paper

Cedar, Stony Swamp, Ottawa, ON, Canada, 12H x 9W inch watercolor and graphite on 40lb cold-pressed premium watercolor paper. Framed size 26H x 22W inches.

Nature Insists

Sunday, January 13th, 2008


 

Nature Insists, growth through rock, North Carolina - 9 x 12 inches Graphite, W/C pencils, Dry Pastel

Nature Insists, growth through rock, North Carolina – 9H x 12W inches graphite, watercolor and graphite on 40lb cold-pressed premium watercolor paper. Framed size 26H x 22W inches.

Mt. Assiniboine

Friday, January 11th, 2008


 

Mt. Assiniboine, Alberta 12H x 9W inch watercolor and graphite study from antique books of hand-colored "Vandyck Photogravures" of Canadian Rocky Mountains scenery, cards only

Mt. Assiniboine, about forty miles southwest of Banff, Alberta. 12H x 9W inch watercolor and graphite, study only, not available.
I inherited some charming antique books of hand-colored “Vandyck Photogravures” of Canadian Rocky Mountains scenery as it was at the turn of the twentieth century. The monotone sepia and few other pale colors add such a warmth to the already beautiful scenery in the 1910 photographs, and since I haven’t tried watercolors for years, I thought they would make perfect studies.

What Oak leaves in Texas do in January

Thursday, January 10th, 2008


 
What Oak leaves do in January

During the Christmas season the Oak leaves on the tree in our front yard were bright orange-red, and have only dropped during the past two days, whereas other years they would have fallen mid-December. While raking yesterday, the proudest of all begged for portraits!

What Oak leaves do in January

Winter Drama

Sunday, January 6th, 2008


 
Oak leaf, photography January 2008
There are an incredible variety of oak trees common in Texas. Here, a Gambel Oak leaf blew into our yard, and the tree is no where in the vicinity!  The winter light casts long dramatic shadows around 11:15 a.m.

Trees paintings updates

Thursday, December 6th, 2007


 

Sun Shower 01, central detail - 85H x 45W x 2D acrylics on canvas, sold

Sun Shower 01 is now sold! Above: central detail of the 85H x 45W x 2D acrylics on canvas.

Morning Light shown below, 48H x 36W x 2D inches acrylics on canvas, narrow frame. Also sold but a similar one can be replicated. Please allow up to 14 days to create before shipping.

Morning Light, 59H x 40W x 2D inches acrylics on canvas, narrow frame. Sold but a similar one can be replicated. Please allow 7 - 14 days to create before shipping.


 

Morning Light, $1,100.00 special order            Buy Now Using PayPal

 



Now showing and available for purchase at Studio 2600 until January 2, 2008. 2600 Hibernia, in Dallas:
Sun Shower 03, photography,  Moon over Cypress, oil pastels, and  Dawn, acrylics on canvas

Exhibition Opportunity

Tuesday, December 4th, 2007


 

Galahs in Traffic - flocks of Galahs fly in front of cars, many laying dead beside the road to the Kangaroo Island ferry, South Australia
Galahs in Traffic, Australia. 14H x 11W oil pastels on paper, has 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
Flocks of Galahs fly in front of cars… unfortunate fatalities along the highway to the Kangaroo Island ferry, South Australia. The trees illustrated are Norfolk Island Pines.

One of the pieces showcased in the AJAS Fall/Winter Online Gallery.
For Artists interested in juried competitions and online gallery exhibitions, the American Juried Art Salon (AJAS) gives helpful feedback and critique whether your work is accepted or not. For information about their Spring/Summer 2008 competition visit http://www.artjury.com/art.html  Artists whose work has been accepted twice in a row receive a website page for one year.

First Snow, final update

Saturday, December 1st, 2007


 

First Snow, 40H x 27W inches acrylics, crackle glaze on canvas and box-frame

First Snow, 39H x 30W inches acrylics, crackle glaze on canvas and box-frame. Finishing: added some darker areas, dripped water down the top layer of glaze, and flicked some specks of white with a toothbrush. Sold, but can be replicated as a new, unique piece by special order in the same spirit as the original.
Detail images:

First Snow, detail - acrylics, crackle glaze

First Snow, detail - acrylics, crackle glaze

Seasonal treasures

Sunday, November 11th, 2007


 

Filigree #1

Filigree #2

While photographing the filigree on many of the decaying oak leaves in a park forest, leaning backwards with my head in the branches, a little green snake struck out at me, the delicate body about 8″ long and no wider than a baby finger. I wrote to the Biology Dept. at Texas University, and they identified it as a Rough Green Snake – Opheodrys aestivus – it’s non-venomous.

Rough green snake - Opheodrys aestivus - nonvenomous, Coppell, Texas

Walking back home completely happy to have chosen that path, expecting no more treasure for the day, a leaf twirled in the breeze, hanging from a spider web strand.

Magical twirling leaf

Gold In The Mountains 01

Sunday, November 4th, 2007


 

Gold In The Mountains 01, 20H x 16W inches acrylics on canvas, antique frame 28H x 24W inches total

Gold In The Mountains 01, finished – 20H x 16W inches acrylics on canvas. Has 28H x 24W inches dark-stained antique frame with gold trim

Started late in 2005, Gold In The Mountains 01 has evolved through many changes to achieve the finished painting above. The first thumbnail shows the painting at a stage where I thought it finished so entered it into Artjury.com’s 2006 Spring/Summer online exhibition. It was accepted, and at the time I liked the larger areas of flat orange-gold, but about six months later I thought the work needed more depth, and the dark branch across the upper portion stood out, so I began a long process of scrubbing off, building back up, scraping and layering paint, repainting, etc. The piece reached a few different stages where it could have been called finished, but I was not entirely pleased, so kept searching. Here are a few stages in the transformation of Gold In The Mountains 01:

  Gold In The Mountains 01, Phase 1 - as it was when accepted in the American Juried Art Salon’s Spring/Summer online exhibition, 20 x 16 inches Acrylics on stretched canvas.   Gold In The Mountains 01, Phase 2 - During May 2006 I started the risky process of reworking the entire painting.   Gold In The Mountains 01, Phase 3 - portions were scrubbed off then rebuilt; explored a lot of different styles.
  Gold In The Mountains #1, Phase 3 - portions were repainted, scrubbed off and rebuilt.   Risking the ruin of a piece is always worth the effort; when I’m not happy with work, it is already inadequate, the best thing is to try and try again until it IS adequate enough to be called finished.   Gold In The Mountains 01, finished - 20 x 16 inches acrylics on canvas, in progress


Gold In The Mountains 01 with antique frame

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