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Tuesday, June 17th, 2008
Sun Shower 04 work in progress, June 19th after a layer of white wash; white diluted with matte medium, then am giving the whole surface a layer of streaks of masking medium to bring all that texture out again that was there at the start. Tomorrow will start another painting and study this one before going back into it. My husband said this morning “Uh-oh Nik, you’re losing control of it”. He’s not an artist and rarely comments on paintings, but he sees things that I don’t. He saw exactly what I was starting to feel about the work. More accurately, I was starting to take too much control.
June 19th June 17th
Sun Shower 04
Friday, May 23rd, 2008
May 30th: Today I’m starting to remove miles of rubberized masking medium. It’s so exciting to unravel the results; they look a little like Batik, where wax or resist is applied then removed.
Sunshower 04, 49 x 85 x 3 inches acrylics on canvas. 29th: Starting to build thin layers of acrylics, gel medium and water. As previously posted, when painting is all finished I plan to remove all of the masking medium and reveal the original colors underneath. Paint catching on the textured surface gives the look of 3D raindrops…very interesting, and in retrospect I don’t know why it wasn’t obvious that this would occur.
I was mostly thinking ahead about the atmosphere and negative spaces. There are so many things that you can’t anticipate or put into a plan, that you only discover by doing, even the obvious. As the painting changes you have to keep changing your plan along with it. Preconceived ideas are a must, but you have to be willing to let go of some and stay open to others. This is what I love so much about painting..how one thing leads to another; planning and surprises working together. Now this will have multidimensional surface of every grade from watercolor-like washes to thick applications of paint.
May 28th: Anxious to finish placing the raindrop patterns and get to painting the light rays. The next layers of paint will resist those raindrop areas. I’m usually content to go with the flow, following how the painting gradually comes together. With this painting I have to think ahead, visualize, and plan the completed piece more than usual. As the canvas fills in more with the resist, mark-making is more strategic. I can’t wait to see how it will look when the resist is removed.
May 26th: …am on the third bottle of masking medium. Soon the surface will be ready to start painting light and dark sun rays, layering color washes of acrylics and gel medium.
May 23rd: As I fill in with streaks of masking medium to block off areas of rain, progress is slow because of the painting’s size, but I work a little on it every day. Toothpicks keep breaking, and my hand gets cramped and numb after a few hours, so I bought some of the smallest paper pencils usually used for smudging graphite, and those are working out much better. I devised a sort of brush with a few toothpicks taped to a brush handle, but this is awkward to use, and there is not much control over mark placement. One streak at a time.
Magnolia blossom
Monday, May 19th, 2008
Magnolia trees require so much energy to bloom, when they do the older leaves die and drop to the ground, temporarily leaving a rather shabby-looking tree and leaves on everyone else’s yard too. Above: a honey bee checks out the other side of a flower, and next: a flower in transition.
New marketing strategies
Sunday, May 11th, 2008
Grackle Party, Dallas Texas, 11H x 9W inches graphite and colored pencils, white double mat, white frame with crackle finish
In her Wed. April 30th blog post, my friend Chris Bolmeier writes about an older painting she revitalized, and in this case it improved dramatically. Surprise 2 supports what I wrote in yesterday’s post: many paintings need a period of rest before we know how to solve them. In any Artist’s home/studio there are at least ten or so paintings hanging around or put away in unfinished states. If it isn’t sold immediately, chances are 50/50 it will continue to change as we attempt to improve it until we know it’s truly finished.
Chris is trying new marketing strategies, and offering anyone who sells her work a 20% cut. A little out of the ordinary to show and offer another artist’s work for sale on my own website, but this is a brilliant idea she has, and I don’t mind trying to help promote her work. Good Luck with your sales, Chris!
Today’s work, details
Friday, May 9th, 2008
Maple Leaves, details after a few more hours working today – 48 x 84 x 3 inches acrylics on canvas. Changes may be subtle from here on; time to set it against a wall and study for a while before adding more. It’s a good time to start another painting.
Maple Leaves, work in progress
Thursday, May 8th, 2008
Maple Leaves – 48H x 84W x 3D inches acrylics on canvas, wrapped sides painted. Work in progress.
On paintings with such large surfaces, acrylics are used more like watercolors, with gradually built thin layers of paint and matte gel medium. Soon after this stage as I become more confident with the subject, paint is applied thicker in areas helping to give a better illusion of depth.
Painting large again
Saturday, May 3rd, 2008
This morning I started painting Maple leaves on one of the large heavy-duty frames we made last week. Trying to think of a catchier title as I work. 48H x 84W x 3D inches acrylics on canvas. It should be a good study of the color green.
And speaking of green, yet another photo of one of the Anoles running around in the back yard this morning – I love watching these little guys!
White Pine Bows
Friday, April 18th, 2008
White Pine Bows, 20H x 34W x 2D inches acrylics on canvas, wrapped sides painted. (sold 2010)
Some paintings take a long time and change dramatically from start to finish. Others have a clear direction and seem to flow out in a day, as this one did.
Post-dated note: showcased in Visual Arts Society of Texas’ 125 Show July 24th – August 15, 2008.
Also, Debby Davis a local Denton TX poet wrote a poem inspired by the White Pine Bows painting
Bouncing branch to bough within stiff white pines,
finding my eyes uplifted; what a show!
Violinist gently pulls; taut bow whines.
Bouncing branch to bough within stiff white pines,
like the beat of an orchestra playing.
Violinist gently pulls; taut bow whines
raining harmonies; colors displaying.
Like the beat of an orchestra playing,
my thumping heart strings tug me into now!
raining harmonies; colors displaying,
I am an audience of one somehow.
My thumping heart strings tug me into now!
It is the secret that only I shall know.
I am an audience of one somehow.
Fragile notes fracture light into rainbow.
Rocky Mountain Vista finished
Sunday, April 13th, 2008
Rocky Mountain Vista 48H x 24W x 2D inches, acrylics on canvas, wrapped sides painted, detail images.
Left: Complete image. Paintings that are proportionately longer than wider don’t photograph well or show impressively on screen, so this has been split into three separate detail images.
Progress on Rocky Mountain Vista
Wednesday, April 9th, 2008
Rocky Mountain Vista, 48H x 24W inches acrylics on canvas after one more day of work, still in progress and almost finished.
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