When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them." (Nikki)

"Color! What a deep and mysterious language." (Paul Gauguin)

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Four Corners

Wednesday, February 7th, 2007


 

Four Corners, 16H x 20W x 1 inches acrylics, Arizona sand, thick gel medium on canvas
Four Corners, 16H x 20W x 1 inches acrylics, Arizona sand, thick gel medium on canvas.
Inspired by the Four Corners area of western U.S., where Arizona, Utah, Colorado and New Mexico meet. The rocks and soil vary rich shades of red, and turquoise has been treasured and used in everyday objects by Navaho and other tribes in the area for centuries.

Sun Shower 01

Friday, December 1st, 2006


 

Sun Shower>
Sun Shower 01, 85H x 45W x 2D inches acrylics on canvas, used watercolors resist medium, narrow dark wood frame. (now sold)
This painting went through an interesting work process, made connections with some of my existing painting methods, and shed light on new ones.

Sun Shower detail - masking medium was dotted on with a toothpick wherever raindrops would be. Sun Shower, about five hours of work. Sun Shower after about five hours of work. Sun Shower after about7 days.

1) Sun Shower detail – masking medium, usually used with watercolors to keep areas white, was dotted with a toothpick all over where raindrops would be.  2) about 1.5 hours after starting.  3) after about 5 hours of work. 4) after about seven days.

The tall Ponderosa Pine is in our oldest son’s front yard in Ottawa, Ontario. A small covered balcony overlooks the yard and the tree dominates, providing lots of shade there. Last summer while sitting on the balcony, as it poured rain the sun kept shining. The street beyond sparkled, and branches were heavy with raindrops. It was an hour of incredible beauty that inspired this painting.

Morning Light

Thursday, November 30th, 2006


 

Morning Light, 48H x 36W inches acrylics on canvas, sides wrapped, narrow frame stained dark brown
Morning Light, 48H x 36W x 2D inches acrylics on canvas, sides wrapped, narrow frame stained dark brown
Post dated note: Morning Light was accepted into the 2007 American Juried Art Salon’s Spring/Summer Juried Exhibition online, and Studio 2600 Light, Shine and Sparkle Dec. 2007 – Jan. 2008.
Now sold but can be replicated in same spirit as original. Please allow at least 14 days to recreate before shipping.

Speeding by the Poppies

Saturday, September 30th, 2006


Speeding by the Poppies, Hwy 40 Tennessee, USA 14 x 11 inches oil pastels on paper

Speeding by the Poppies, Hwy 40 Tennessee USA, 14H x 11W inches oil pastels on paper with 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.

Tennessee Poppies

Thursday, September 28th, 2006


 
Tennessee Poppies, Hwy 40 Tennessee 11H x 14W inches oil pastels on paper

Tennessee Poppies along Hwy 40 Tennessee, 11H x 14W inches oil pastels on paper, 3 inch white double mat and 26H x 22W inch white wood frame with crackle finish. Sold.

Wild Canada: Stony Swamp Trail

Tuesday, August 1st, 2006


 

Stony Swamp Trail, Ottawa, Ontario Canada - 14 x 11 inches oil pastels on paper

Stony Swamp Trail, Ottawa, Ontario Canada, Paper Places series, 14 x 11 inches oil pastels on paper with 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish. The series inspired the accompanying poem:

It remains
when things are gone
and people passed
and roads
and paths
and places
we belong
to the essence.

Intuitive response to subject matter impart individual character to each piece, so styles are deliberately different.
Post-dated note: Stony Swamp Trail was accepted for The Artist Showplace Gallery’s Annual Juried Exhibition, February – March 2007.

Coconut Palm, Costa Rica

Sunday, July 23rd, 2006


 

Coconut Palm, Costa Rica, 14H x 11W inches oil pastels, white double mat, brass title plate, 22H x 26W inches wide white frame with white crackle finish
Coconut Palm, Costa Rica, 14 x 11 inches oil pastels on paper with 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.

January Thaw

Thursday, June 15th, 2006


 

January Thaw - Willow saplings, Fallowfield, Ontario, Canada

January Thaw, 14H x 11W inches oil pastels, white double mat, brass title plate, 22H x 26W inches wide white frame with white crackle finish.
Willow branches, welcome bits of color during the January thaw, a seasonal expectation in eastern Ontario, when temperatures hover around 0*C. After a period of 1-2 weeks temperatures can dip to -40*C, and the most intense, unpredictable part of winter begins.

The Evolution of January Thaw

The Evolution of January Thaw – a painting is more than the sum of its parts. It transformed dramatically while conversing with other Artists and their critiques on a popular online Artists’ website.

“When I am painting I have no knowledge of what I am doing. Only after a moment of ‘returning consciousness’ do I become aware of what I have been doing. Then, however, I have no hesitation about making changes, or destroying images, because the painting has a life of its own. My mission is to bring forth this life”. Jackson Pollock

At The Alamo

Tuesday, May 30th, 2006


 
At The Alamo, San Antonio, Texas 11H x 14W inches graphite on paper, 3 inch wide white double mat, 22H x 26W inch white frame with white crackle finish
At The Alamo, carved stone detail on a window of the main building at The Alamo, San Antonio, Texas – 11H x 14W inches oil pastels, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.

Lake Cote Cloud Forest Reserve, Costa Rica

Sunday, May 21st, 2006


 

Lake Cote Forest Reserve, Costa Rica, 14H x 11W inches oil pastels on paper
Lake Cote Cloud Forest Reserve, Costa Rica, 3-inch-wide white double mat and 26H x 22W inch white custom-built white wood frame with crackle finish.
This is a perfect example of how each piece in the Paper Places series for unique style. I follow intuitively responding to what happens on the page as the work unfolds.

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