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Cockatiels

Wednesday, May 26th, 2010

Cockatiels, Jurong Bird Park, Singapore, 9H x 12W inches graphite on paper, white mat and 15H x 18W inches white frame with crackle finish. Check out the Jurong Bird Park website.

Showcased in the J. Mane Gallery’s Fins, Feathers and Fur 2020 Exhibition.

New Series: Twenty-five days in Singapore

Tuesday, May 25th, 2010

Parkview Square Building, Singapore 11H x 14W inches graphite on paper

The opportunity to travel to Singapore popped up with a few days notice. While I’m here the plan is to do at least one sketch per day. The new series is called “Twenty-five Days in Singapore”. I drew the upper portion of the very unique Parkview Square building from my hotel room over the course of two days while recuperating after the 28 hour flight from Dallas. At a cost of $87 million, the Art Deco style building was completed in 2002. The eight fiberglass figures each holding a light-ball guard the building, only hint at the sort of art and design to expect on the grounds and the gorgeous interior.

Little pen sketch

Thursday, February 25th, 2010

Marie Lake Campsite, Alberta, 8 x 10 inches pen on paper

A Heart Filled to the Brim

Sunday, January 17th, 2010

A Heart Filled to the Brim, 36H x 48W x 2D inches, water soluble graphite, acrylics on canvas. On exhibit along with Polypore Fungi February through May at the Oxide Gallery, Denton, Texas

An excerpt from the song, I Don’t Believe by Paul Simon on the CD, Surprise:

I don’t believe a heart can be filled to the brim

then vanish like mist as though life were a whim.

Maybe the heart is part of the mist

And that’s all that there is and could ever exist.

A portrait of Alzheimer’s honoring my Grandmother, my Mother-in-law (whose portrait this is, and whose 80th birthday is in two days), and now recently my own Mother who is in the earliest stages; and with empathy for all those afflicted, including the families dealing with the awful emotional reverberations caused by this disease.

Here are a few websites providing information about Alzheimer’s Disease

http://www.alz.org/index.asp

http://www.alzheimersrxtreatment.com/learnaboutalz.html

http://www.alzheimers.org/

The Tree of Life Chair

Monday, November 30th, 2009

The Tree of Life, 29H x 29W x 29D inches mixed media; refurbished vintage plastic lawn chair, woven canvas strips and white glue, thin layers of drywall compound: cured, sanded, carved, acrylics paint, varnish. Durable, completely functional.

There was an interesting buildup of colors after a lot of changing colors and repainting the design many times, so the impressions of this chair are created like the other chairs in this series; ancient artifact replicas. The other chairs are listed here.

Exhibition Opening Dec. 1st

Wednesday, November 25th, 2009

Chapala Wind, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted

Upcoming exhibition: monthly featured artist at Oxide Gallery in Denton, TX. Among the items on exhibit: most of the Magic Square series, Dawn at Bell Rock, Sounds of Silence, Polypore Fungi, Shadows of Summer, Eastern White Pine, and three of the vintage chairs. Opening Reception Tuesday, December 1st, 6:00 p.m. – 8 p.m., and the show runs until December 31st.

The Studio Affair

Tuesday, October 20th, 2009

“I’ve got my eye on you!”

See the other years Halloween posts on October 28th, 2008 and October 30th, 2007

500X Gallery: Landscape

Tuesday, October 6th, 2009

Saint Catherine’s Sunset, Ontario, Canada – 11H x 11W x 3D acrylics on canvas, wrapped sides painted, showingOctober 1 0 – 31st, 2009 500X Gallery Open Show: Landscape, 500 Exposition Ave. Dallas, TX. Opening Reception Saturday, October 10th, 7:00 p.m. – 10:00 p.m.

Oxide Gallery 1st Year Anniversary celebration today, Tuesday October 6th, 6:00 p.m. – 9:00 p.m. Happy Anniversary Oxide Gallery!

I’ll be giving a demo on the use of Masking Fluid in acrylics paintings, so come and reveal one painting by helping to peel off the rubberized mask – I don’t even know what it looks like underneath, so it will be a surprise for all of us. Techniques on applying the fluid will be demonstrated on another painting already in progress. Three pieces accepted in the current show at Oxide Gallery are:

Kookaburrahs

Saturday, May 23rd, 2009

Kookaburras, 11H x 11W x 3D inches acrylics on canvas, wrapped sides painted. Frame unnecessary. Hang on the wall or display on a flat surface. Most of the Magic Square series are signed on the side so as not to impose on the composition. Seen here, the signature is added digitally on the front.
March 13th, 2009 work progress blog post: This painting could have been left at phase 3, but the decision to give the birds more definition and sense of realism created a whole new set of problems. For example, the composition, which was unbalanced from the start, is now exaggerated and more noticeable, so a third element needs to be added in the upper left corner. Not necessarily another object but color or shape that would shift the weight and attention away from the lower left areas.

Progress details:

There is a work phase where, once details are added or changes made to one area, every other thing in the picture needs to be brought to the same level of quality: quality meaning style and feeling of the features. I don’t regret proceeding, but it does mean extra effort to solve all the new challenges, and usually while attempting to solve those new ones arise. Other professionals would say this is overworking, but it really depends on what your intentions are as an Artist, and what motivates the work. If risks are not taken sometimes, a painting may never be all that it could be. Phrases we tend to cling to like “less is more” are not written in stone; sometimes more is more…learning is a good thing!

In landscapes details are best left for the imagination, whereas painting animals, birds or other creatures, a purpose needs to be clearer. Is the intention to portray character through shape and silhouette? other traits? specific markings? Is it the main focus or only a part of the whole? Computer tools are also useful in playing with colors and other possibilities.

Zen Garden 02

Saturday, May 9th, 2009

Zen Garden 02, 48W x 24H x 1D inches mixed media: texture medium, sand, white glue, modeling paste, kitty litter (new of course!), plaster. Wrapped sides painted, frame unnecessary. Sold but can be recreated, not exactly, but in the same spirit as the original.

This painting won the Visual Art Society of Texas title of Artist of the Year (2009) for me at Thursday night’s meeting. This piece hangs vertically, horizontally or can be flipped upside down 2 ways; four different orientation hanging options.

Most of the Zen Garden series are experimental, seeking various ways to obtain the raked sand look without having to pay high prices for the ready-made texture mediums that don’t cover much surface. Zen Garden #2 uses kitty litter bought at the dollar store mixed in varying portions with the above fillers, scooped into a large ziploc bag that was cut in the corner and squeezed out like cake icing onto the canvas. I still had to maneuver the medium into place with fingers because it was so thick coming out of the bag, due to the new absorption factors of new brands of kitty litter. I’ll experiment with aquarium sand and pebbles, or any number of other pet products that are far less expensive than art supplies.

While titles and awards can help refuel encouragement, finding our own source of motivation keeps us working and growing continually, regardless. Robert Genn in The Painter’s Keys has some interesting words about the subject of jurying and acceptance or non-acceptance, quoting Jung, Your vision will become clear only when you look into your heart. Who looks outside, dreams. Who looks inside, awakens.