Art for sale
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Monday, June 22nd, 2020
Spring Mix, 16H x 20W inches soft pastels on paper
Cape Bridgewater, Australia
Saturday, June 20th, 2020
Cape Bridgewater, Australia – 16H x 20W inches dry pastels on 140 lb. watercolor paper
Healthy Hive
Monday, May 18th, 2020
Keel-billed Toucans rejuvenated
Saturday, May 16th, 2020
Keel-billed Toucans, seen at the Dallas World Aquarium, when they used to fly around freely there, in front of the waterfall. 29H x 20W x 2D inches acrylics on canvas. This is an older piece not listed back then because I was never happy with it. Using crackle medium to help create a bit of texture, it has been touched up, rejuvenated, and is now for sale.
Exhibitions
Thursday, April 30th, 2020
Bell Rock AZ, 18H x 24W inches soft pastels on 140 lb cold pressed and Kaniksu National Forest, Idaho – 18H x 24W inches watercolors showing at J. Mane Gallery Landscapes 2020 online exhibition, April 24 – May 24
Winter Forest: Dogwood, 14H x 20W inches watercolors on cold pressed premium and Multnomah Falls, 31 x 25 inches (framed size) watercolors accepted into the New Horizons Landscape Exhibition, 3 Square Art Gallery June 12 – July 10, 2020. Opening date dependent on “Safer At Home” order for Larimer County, CO.
Dutch Creek Hoodoos
Sunday, March 8th, 2020
Dutch Creek Hoodoos, BC Canada – 18H x 24W inches graphite, soft pastel and markers on 140 lb cold pressed watercolor paper
Bell Rock AZ
Thursday, February 6th, 2020
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Fern Song
Tuesday, February 4th, 2020
Fern Song, 12 x 12 inches acrylics on canvas
Honorable Mention, In Full Bloom online exhibition February 7 – March 7, 2020, J. Mane Gallery
Pacific NW Sunset
Thursday, January 30th, 2020
Pacific NW Sunset, 18H x 24W inches soft pastels on paper
I’ve never really been successful with soft pastels. They are ultra-fussy, ultra-messy, particularly once you start adding dark colors, which leaves you feeling ultra-discouraged at the end of the day.
I’m up for the challenge though, with the additional provocation to use black, which I never use, preferring usually to use purple or blue or other color combos instead. Using black is an offense that will be fun to defy, at least that’s the intention. Black will help the other colors sing with contrast, assuming I’m able to prevent too much accidental blending. Workable fixative is very helpful.
The 18 x 24 inch pad of 140 lb cold pressed no-name watercolor paper that I ordered online does not have the tooth or qualities I like as a painting surface, but is working nicely for soft pastels. There are 6 more pages left in the pad for this pastel series.
Alberta Bound
Tuesday, January 28th, 2020
Alberta Bound, 18H x 24W inches dry/soft pastels on 140 lb cold pressed.
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