city streets
« Previous EntriesThe Red Bag
Wednesday, April 5th, 2023
The Red Bag, Edfu, Egypt – 18H x 24W inches soft pastels on paper. Framed size 27H x 33W”.
Turn tomato cages into festive trees
Saturday, December 7th, 2019
Use tomato cages to create festive trees. Turn upside down – 2 together make a stronger structure. Wrap with lights.
Japanese Maple
Saturday, February 11th, 2017
Japanese Maple, 20W x 15H inches watercolors on 140 lb. cold pressed premium work in progress.
At the Alamo 02
Monday, November 5th, 2012
The Alamo, San Antonio, Texas, Stone walkway on the grounds, 15H x 22W inches watercolors on 80 lb premium acid free paper, white mat.
Treasures 01
Tuesday, June 1st, 2010
Treasures 01, 9H x 12W inches graphite on paper
I walked by a store the other day where there was a woman bargaining with the owner for one of the items inside, but she was only able to peek in and point because it’s crammed full to the entrance door. No customers can even get in to browse! It’s a store like one I remember on an old, old ’60’s episode of Outer Limits, where odd items just like these had mysterious powers over those who purchased them.
So if you’re looking for a Beta-Max video camera or a spooky-cool outdated deep sea diving outfit, I know where you can go… it’s a store that would inspire any artist, any writer… and any hoarder! I took a lot of photos through the glass and this sketch is the first of a few that are planned.
The Masjid Sultan, version 02
Monday, May 31st, 2010
Masjid Sultan Mosque 02, Kampong Glam district, Singapore, showing the ancient Islamic symbol of the Crescent and Star on top of the golden dome. 9H x 12W inches graphite on paper, white mat and 15H x 18W inches white frame with crackle finish.
Masjid Sultan, version 01
Thursday, May 27th, 2010
Masjid Sultan, (Malay for Sultan Mosque), Kampong Glam district, Singapore, 9H x 12W inches graphite on paper, white mat and 15H x 18W inches white frame with crackle finish.
Bird Party
Tuesday, November 17th, 2009
Bird Party, watercolors on molded 140 lb watercolor paper, work in progress.
I’m not exactly sure where this is headed, but shapes were cut out of the painting, the paper drenched, folded, stretched and sculpted. Every evening just before sunset in the Dallas-Fort Worth area Grackles, blackbirds, Starlings and pigeons gather on lawns, parking lots, overhead wires and cables, roofs and trees. The event is unique to this area as far as I know, and exciting beyond words to be amongst the thousands and thousands of birds. Here is a previous piece on the subject.
Value study
Thursday, November 5th, 2009
Angel’s Trumpet value study, San Antonio Riverwalk, Texas –12 x 16 inches Tombo pen wash on 140 lb. WC paper.
The Tombo pen is a two-in-one water-soluble marker available in colors as well as black. One tip is medium-fine and the other looks and behaves like a Chinese paintbrush, where thickness of lines can be controlled. What’s more difficult to control is that black once it’s on the page! It’s something to pay attention to when painting the colored version.
Preliminary studies are useful with watercolors because if, in trying to correct and re-work areas, the integrity of the paper is easily lost, especially on inexpensive papers. Still, on a traditional watercolor a lot can be done by adding water to pull out the dark where it’s not wanted, and push out areas of paint with dry brushes. Some places in this study have built-up 3D edges created by the paper bits because I pushed them around so much with a stiff brush to correct things, but traditionally this is not acceptable.
Actually, come to think of it, that might be interesting to deliberately sculpt the paper in strategic areas – like objects in the foreground – by saturating it with too much water, then while painting, brush the resulting paper bits into piles and mold them with a stiff brush. I may try that in the final colored painting of this scene. This proves once more that every single painting is an experiment to find ways to turn disadvantages and limitations into advantage and innovation.
Even though WC and Acrylics are water-friendly and watered-down acrylics is the method I use to start most canvas paintings, I’m noticing a few outstanding differences : 1) an off-balance composition seems to be more noticeable with WC, definitely not as correctable 2) improved attention to drawing, details and ultra-conscious 3) requires pre-planning and foresight to keep the work fresh and clean 4) commands enough confidence to swish the paint on quickly as if it was not planned.
San Antonio, Texas
Thursday, October 29th, 2009
Buildings, San Antonio, Texas, 22H x 15W inches watercolors on 140 lb. acid free, cold pressed premium paper, white mat « Previous Entries