oil pastels« Previous Entries
Blue Flag Iris, 10 x 10 x 1 inches oil stick on canvas
Spring Garden Mix, 18H x 24 inches oil pastels on 80 lb acid free premium
Blossomania, 12H x 16W inches oil pastels painted with oil blending and glazing medium on 80 lb acid free premium, white mat
I’ve been admiring the round masses clumped on the Plum tree branches in our neighbor’s back yard for a week or so now. Yesterday and today, pink swirls in the wind…
They cover everything, old and new
If I sit too long, I’ll be covered too!
Larger image shows the finished piece, 12H x 16W inches, which was cropped from the original size, left thumbnail, 18H x 24 inches. Blogging always reveals a different perspective. If I had not re-sized the original in order to post, I might never have recognized that the cropped portion has a more balanced composition…benefits of blogging!
Celosia, work still in progress, 18H x 24W inches 0il pastels on 100% cotton paper
This piece was tucked away a month ago, planning to continue work in future with new eyes, so with nothing to lose, I jumped back in today and threw more color around. I splurged today and bought about 40 new oil sticks, the “Sennelier” brand. Wow, they are so intensely colorful and creamy-beautiful to work with! There is no contest as far as quality compared to any of the other brands I’ve been using, but they do have a lot of oil content which makes them muddy easily. Looks like it needs to be stored away again to re-work and refineanother day. I don’t like giving up on a piece until it feels absolutely done, or without a doubt done to death!
Left, March 22nd, 2013, Day 4 in progress
Reminiscent of retro sofa fabric, now that I see it on-screen! Usually leaving page space showing through to create light and brightness, this time I colored the entire page yellow before starting. Adding white did not help brighten areas much, but did muddle colors, helping some flowers recede. Much of the pure color as seen in the early versions has been covered up or removed, but will be re-added cautiously. The style has also gradually changed to more of a Representational/Impressionistic one. To finish, there will be more scrutiny, and fewer emotional responses before adding or removing anything else.
March 20th through 22nd; Days 1, 2, and 3
Multnomah Falls, Hwy 84 East, Oregon 18H x 24W inches oil pastels on 100% cotton paper, white mat. Work in progress details:
Flamboyant Tree Flowers and Seed Pods – Chapala, Mexico – 9H x 12W inches oil pastels on paper, white mat
Sumac Bushes 12H x 16W inches oil pastels on 140 lb W/C paper
This piece has a base of watercolor crayons, which I hadn’t heard of before and was excited to try. With expectations to complete a piece today, I wasn’t too impressed that the rough crayon color marks remain on the page, and the colors and solubility are weak. With more experience, those properties might be used to advantage, but not without an open frame of mind toward experimenting. Because of this, oil pastels are layered on top, then scratched away using fingernails and pottery tools.
On exhibit at Oxide Gallery, Denton, TX
Dandelions among the Tulips, 16 x 20 acrylics on canvas, dark brown wood frame with red trim design. Total size 22 x 28 inches, Bonsai Garden, Chinese Gardens, Singapore 9 x 12 inches graphite on paper Milkweed Melody, 27H x 33W inches framed Oil Pastels on 140 lb cold pressed premium watercolor paper, Seasonal, 36 x 24 x 2 inches acrylics on canvas, gallery wrapped sides painted, narrow frame
Basic Drawing and Color Play
1) Saturday, May 15th 10:30 a.m. – 4:00 p.m.
2) Saturday, May 22nd 10:30 a.m. – 4:00 p.m.
Ages: Young adult (16) – Adult – Seniors
Beginners to Experienced Artists, maximum number of participants: 6
We will sketch simple objects using a variety of loosening-up techniques, graduating to a more complex still-life arrangement, fun with color, then a longer study period in the afternoon.
Bring favorite reference photos or items that you’d like to study, sketchpad and supplies that you usually work with. A variety of papers and drawing supplies will be on hand to experiment with during class. Also bring beverage and lunch.
Registration (pre-paid) – $50.00 Oxide Gallery 501 West Hickory St., Denton, Texas 940-483-8900
March 12th and March 19th – Maximum Students per Class 6
Milkweed Melody, 27H x 33W inches framed Oil Pastels on 140 lb cold pressed premium watercolor paper
Partnering with poet Christina Smith and her poem, Earth’s Love Song Milkweed Melody is showing April 1st – 30th at the VAST (Visual Arts Society of Texas) and Denton Poets Assembly collaborative event, Merging Visions Exhibition, with art and poetry at both the Emily Fowler and North Branch Libraries, Denton, Texas. Opening Receptions Saturday, April 17th 10 a.m. – 12 p.m. at Emily Fowler and 1 – 3 p.m. at North Branch
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