When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them". (Nikki)

"...the painting has a life of its own. My mission is to bring forth this life". (Jackson Pollock)

"Trust your intuition, it's just like goin' fishin'; you cast your line 'til you get a bite." (Paul Simon)

moon

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Stars in the Sweetgum

Thursday, June 28th, 2012

Stars in the Sweetgum, 9 x 12 inches charcoal and colored pencils on paperStars in the Sweetgum,9 x 12 inches charcoal and colored pencils on paper, preliminary sketch of the extremely large Sweetgum tree in our side yard.
Portraying darkness offers an excellent color study. Inspired by travels on clear nights when speeding by tree silhouettes, there’s an illusion that horizon is absent, and stars are in the sky as well as the trees. I often marvel how dark skies can still be so intensely colorful and vibrant…ranging across the spectrum from rich teals, purples, to shades of red and orange.

Jone’s Falls

Tuesday, March 3rd, 2009

 Jone's Falls, 11 x 11 x 3 inches acrylics on canvas, finished

Jone’s Falls,  near Thousand Islands, Southern Ontario 11 x 11 x 3 inches acrylics on canvas, finished. April 11, finished: I scratched some barely noticable lines here and there, and they break up the space  into sections now, if you compare the 3rd thumbnail and the finished piece. This is exactly why paintings need to sit off to the side for a while. With new eyes a few weeks or months later the finishing touches will suddenly be obvious, or there will at least be renewed confidence about what else to try that might work..

 Jone's Falls, mapping out composition, removing paint with clothJone's Falls, phase 2 work in progress, 11 x 11 x 3 inches acrylics on canvasJone's Falls, phase 3 work in progress, 11 x 11 x 3 inches acrylics on canvas

Left, February 28: mapping out composition by washing off damp paint with a wet cloth. Central and right, March 1: experimenting with limited palette, work in progress.

Magic Hour, progress

Sunday, August 3rd, 2008

                  Magic Hour, top detail, 60 x 40 x 3 inches Acrylics on wrapped canvas. Phase 5, work in progress

Magic Hour detail image, top half of 60 x 40 x 3 inches Acrylics on canvas. I decided not to lighten the background after all — am leaving the background as is with loose brushwork in contrast to the totem pole which will be much clearer. To achieve the weathered look I’m using a dishwashing scratch pad to remove some of the paint. Work in progress.

Magic Hour – work in progress

Thursday, July 24th, 2008

Magic Hour - 60 x 40 x 3 inches Acrylics on wrapped canvas. Phase 4, work in progress.Art history is human history. What we call Art is the expression of individuals finding connection with our humanity; who are we? How do we respond to our surroundings and who are we in relation the things we depend on for survival? Standing in front of the Totems I realized that the answers we sought long, long ago are the same, and the things we love now are the same things people have always loved. As Artists and Art Viewers we’ll never  Museumventure far from subjects that speak to the heart.   

The originals of all the totem poles erected in Thunderbird Park on the grounds of the Royal BC Museum in Victoria, Canada are now protected from the effects of weather inside the museum. The totem portrayed in this painting is a replica of the Gitxsan Pole that was moved in 1958 from Kitwankool, BC. This version of the pole is named Skim-sim and Will-a-daugh, belonging to Chief Wiha (Wee-kha, Ernest Smith), the chief of the Wolf Clan: only the top 3/4 of the totem is portrayed. Due to deterioration caused by weather, the originals of all the totems in Thunderbird Park are now erected inside the museum and are replaced with replicas carved by Mungo Martin, chief carver, Henry, Tony and Richard Hunt (this one 1960).

Symbols/crests: The bird at the crown is a giant woodpecker (wee-get-welku). Legend reads that a female ancestor kept a pet woodpecker, feeding it so much it grew to be a giant monster that ate everything made of wood until it was killed. It sits atop 5 human figures who stand on the head of the Mountain Eagle (Skim-sim),  who kidnapped and mated with a woman then devoured their offspring. The eleven small figures are humans fishing through holes in the ice. Under them and not pictured in the painting is Will-a-daugh, also known as “Person With a Large Nose”, holding her child who was conceived from a wood grub.

                        

Magic Hour - one of the Haida totems downtown Victoria, B.C., Canada, 60 x 40 x 3 inches Acrylics on wrapped canvas. Phase 3, work in progress..

July 19th: Magic Hour -  60 x 40 x 3 inches Acrylics on wrapped canvas. Phase 3, work in progress.

Magic Hour

Thursday, July 17th, 2008

                                  Magic Hour , one of the Haida totems downtown Victoria, B.C., Canada, 60 x 40 x 3 Acrylics on wrapped canvas. Phase 2, work in progress.

Magic Hour, the top half of the magnificent Gitxsan Totem pole in Thunderbird Park near the Inner Harbor downtown Victoria, B.C. 60 x 40 x 3 Acrylics on wrapped canvas. Phase 2, work in progress.

The drawing is sketched with Alizarine Crimson and Red Oxide base. We were there a week ago just as the sun set, shining light on the right side of the totems and rising moon light lit the left side. I changed the tree silhouette to a typical B.C. horizon of tall Red Cedar, whereas the trees in that park are Maples.

Morning moon

Sunday, October 7th, 2007

        Oct. 7, 2007 morning moon and stars

Beauty

Friday, August 31st, 2007

         Beauty – the moon, the sun, and a routine of daily painting!

         Morning Moon    This morning’s sun

Moonlight at Sunset

Friday, August 24th, 2007

         Moonlight at Sunset

         ~ the sky at sunset last night ~

Half Moon

Tuesday, December 12th, 2006

 Half Moon

Alain just bought me a telephoto lens and a desperately needed tripod.

Full Moon

Wednesday, December 6th, 2006

         Full Moon

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