Mexico
True colors
Thursday, May 26th, 2011
Tree fern shadows cast across garden rocks in Chapala, Mexico
“Your true colors are beautiful” - Cindy Lauper
I’ve been in Mexico for the past two weeks, so I’ll be contributing more images to the True Colors website, created in 2007 as tribute to the colorful landscapes and cultures here. Developed separately from the other chapters of nikkiartwork.com, True Colors is considered as one complete and independent project. I’ve posted a few more of the recent pieces in this series on nikkiphotography.com
Interactive
Saturday, April 25th, 2009
At the end of each month Oxide Gallery and Carino’s Italian Restaurant in Denton present an evening of Art, Dinner and Wine Tasting. Offering a new menu each month, an amazing four course dinneris complete with wine pairings for only $29.95. The room is separate from the rest of the restaurant, so offers an intimate setting where, at some point during the evening, the artist discusses and answers questions about their work. A new artist’s work is featured each month, and on Tuesday it’s my turn. Although this is a new idea it has been well received. Reservations are required, but April 28th is now booked solid, so the Dinner and Show is extended to take place on April 29th as well.
The Interaction
I reapplied masking fluid to Flowering Shavingbrush Tree in order to continue working on it but still preserve all the great marks revealed after removing the first application. At Carino’s on Tuesday others will participate and be a part of helping this painting come to life by removing the dried rubberized medium from the painting, and help unveil the finished piece.
Update, May 1st: Pulling off the rubberized medium was a hit! A few people kept going back to pull more off. If gallery owners are open to it, I’d like to continue doing this at future opening receptions too. Here are some photos of the fun.
“One last peel before I go…”
The perfect place for masking fluid
Monday, April 13th, 2009
Flowering Shavingbrush Tree, April 11th above: details of 85 x 45 x 3 inches acrylics on canvas. Still in progress, but the rubberized mask was removed in order to see exactly what stage things are at before continuing. The painting overall still has a few areas to open up; very little work tomorrow should finish it. Shortly after starting the painting I turned it upside down and applied the masking fluid with a toothpick and let it drip. Gravity can be used as a tool!
April 13th, Left: The top third will still leave as much of the primed canvas as possible; a gradation of unfinished space toward more finished at the bottom. I was hoping to leave it as seen here giving an airy illusion, but it does need to develop along with the rest of it…still not as much, but enough to show the main flower better. This means I’ll be once again dripping masking fluid on the piece upside down to preserve the interesting marks that occurred from the 1st application, and also create some new ones with any further work. For previous posts on earliest progress of this painting click here.
The Shavingbrush Tree
Thursday, April 9th, 2009
The Shavingbrush Tree in front of a flowering Jacaranda tree seen in Chapala, Mexico, 85 x 45 x 3 inches acrylics on canvas, gallery wrapped sides painted, work in progress. Thumbnail, left: started March 31st
The last painting helped me more aware of how powerful contrasts of light and dark can be. Here, areas of primer will be purposely be left unpainted. I was going to just carefully avoid the white areas and paint around them, but during the second phase I dripped some of the masking fluid to block out a few details in the main flowers. Already it is a very different painting process-wise; right from the start it has felt like a complicated puzzle; that stage doesn’t usually appear until near finishing. The first stages of painting are usually the most liberating but since I never pencil in an outline before painting, I fought a lazy brain right from the start that did not want to map out the placement… which doesn’t make sense because I really really want to paint this one! These are not typically the colors I use either, so there are a few intimidating factors. I hope to maintain fresh, bright Easter colors – partly because this is when they bloom in Mexico. Painting is much like a runner hitting “the wall” but persevering and breaking through it…however in painting there are many walls to conquer.
Oxide Gallery
There are a few pieces hanging at Oxide Gallery, Denton, TX for the next three months: Rocky Mountain Vista, Zen Garden #6, and all four recent encaustic works.
City Streets
Friday, October 5th, 2007
Three Photos will be on exhibit and available for sale at the City Streets Exhibition at Studio 333, Sausalito, CA October 25 – December 6, 2007
Burnt Offerings #1 – From Burnt Offerings the photographic series consisting of ten images of the devastating results after an explosion that rocked downtown Dallas on July 25, 2007, in an acetylene and propane warehouse. In the distance: the famous Reunion Tower.
Phase to Grey - series pending. With a history and reputation for competing with Houston to attract visitors to stay in a beautiful, safe, and interesting downtown area, Dallas makes room for new buildings and upgrades existing ones. This photo: Demolition on the corner of Commerce and S. St. Paul Street, across from the infamous Dallas Grand Hotel which has been vacant and in a serious state of disrepair for many years, now planned to also receive extensive renovations.
True Colors #63 – The original photo of one of the digitally manipulated images in the True Colors website series. This photo: A cow wanders the streets of San Antonio, Mexico. Nonchalantly meandering through the neighborhood, tether rope dragging on the road beside her, it’s as if this cow has simply left for a short walk and no one, even the owner, ought to worry about her finding her way home.
All photographs printed on 11 x 17 100 lb. Satin finish cardstock high quality photographs are one of a kind, signed, most with white mat and a 3″ wide black frame. Please contact nikki_coulombe@hotmail.com for details about this or any Artwork you wish to purchase. (thanks!)
True Colors photo – exhibition acceptance
Saturday, June 2nd, 2007
One of the photographs from the series True Colors is accepted into the exhibition Visual Rhythms / Ritmos Visuales, [an all-media juried exhibition that embraces the flavors and rhythms of Latin American influenced art and cultures] at the Target Gallery in Alexandria, Virginia, scheduled July 28 – September 3, 2007.
The storefront photo was taken in Guadalajara, Mexico. Beyond the clutter of typical-style pottery and items for sale, a child in a high-chair peeks out from behind a shelving unit The chair in front of the child indicates that someone, probably Mom - no doubt also the store-owner- was there a few moments before, feeding him or her. Two dogs and some pigeons scan the floor for leftovers. The room has a courtyard open to the sky, typical of the area, and there are more pigeons up on the window ledge on the back wall. Available, white mat, black frame 23 x 27 inches.
Please visit the trucolors.info website to view the complete creative tribute to Mexico.
True Colors – a creative tribute to Mexico
Saturday, April 28th, 2007
This red bench is one of many on a newly built walkway along the shoreline of Lake Chapala, in the small, charming town of San Crystobal.
The True Colors photographic series and website is my creative tribute to the colorful landscapes, culture and style of south-central Mexico. One hundred of my favorite photos out of the thousand-plus taken have been selected for the website, developed separately from the main website to highlight the project as one complete and independent Art endeavor.
Using the Paint Shop Pro computer program I’ve isolated a main portion of each shot, then superimposed this colored image on top of a black and white version of the same photo. Altering the photos this way has a powerful effect on our impression of the subject matter. In some cases the true colors intensify so much against the grey tones the scene becomes surreal. The collection can be viewed at http://www.trucolors.info
Credit and many thanks to my husband for encouraging and co-creating the True Colors website and all websites associated with my Artwork.
Pre-columbian Jaguar Beads
Thursday, February 1st, 2007
1. The tray 2. The beads 3. A picture of the orginal necklace.
The beads are made of Polymer clay, a permanent material once baked, acrylic paints, varnish, tray refurbished and paper-mached, painted and varnished for durability.
I was drawn immediately to this Pre-columbian Mayan necklace upon seeing a photo of it, and would love to own it, so tried to make one. The original necklace of gold jaguar head-shaped beads, made over 500 years ago, was discovered in a lord’s tomb in Guatemala.
Like much of the pre-historic and tribal Art that looks crude or seems like it should be easy to recreate, there is a lot more here than meets the eye. One of the things that’s so enjoyable about a project like this is experiencing the same design dilemmas that the original Artist must have encountered. There is a lot of engineering in that simple-looking necklace. I think the goldsmith who created the orginal might have used a mold, because each individual jaguar head-shaped bead needs to be identical, and so do the small round ones in order to string the beads together and obtain the uniform semi-circle shape. Mine were indivudually shaped, less than perfect, and did not fit together well unfortunately.
The jaguar beads are glued onto a useful tray (recycled film case with paper mache over top), and it’s as if a moment in time is recaptured: the moment when this necklace was being created by the original Artist. The refurbished tray is covered with paper-mache, painted and varnished. Durable, useful, hand wash gently to clean.
Ancient Mayan Bowl Chair
Thursday, March 30th, 2006
Mayan Bowl Replica - 29 x 29 x 29 inches durable, functional, comfortable refurbished Vintage1960′s plastic lawn chair, Mixed Media
This replica of an ancient Mayan artifact reutilizes a vintage plastic lawn chair that was considered Art in its own day. The refurbished chair was created by a process of weaving canvas strips and white glue paper-mache style over the entire plastic top and bottom, layering wall plaster sanded in between coats, acrylics paint, varnish, graphite, marker, more varnish, then waxed for durability. Three more chairs are yet to be created with historic Art themes from other cultures.
The original bowl design is from the Late Classic Period of Mayan history, 600 – 900 A.D. Common Era, portraying two water Gods witnessing the birth of the all-important Maize God who immerges from a turtle, symbol of the earth and origins thereof. Customarily, hieroglyphs written along the top rim show the bowl-owner’s name and what the bowl was used for.
Inspirational resource: Maya, Divine Kings of the Rainforest edited by Nikolai Grube ISBN 3-8290-4150-0
Post-dated notes: Accepted into Grand Prairie Arts Council Juried Exhibition and Sale Sept./Oct. 2007, and won Second Place cash award, 3D Category. Also accepted into Artjury.com’s 2007 Fall/Winter Juried Online Exhibition.