When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them". (Nikki)

"...the painting has a life of its own. My mission is to bring forth this life". (Jackson Pollock)

"Trust your intuition, it's just like goin' fishin'; you cast your line 'til you get a bite." (Paul Simon)

landscapes

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True colors

Thursday, May 26th, 2011

ikoniикони

 Fern tree shadows cast across garden rocks, Chapala, Mexico

Tree fern shadows cast across garden rocks in Chapala, Mexico

“Your true colors are beautiful” - Cindy Lauper

I’ve been in Mexico for the past two weeks, so I’ll be contributing more images to the True Colors website, created in 2007 as tribute to the colorful landscapes and cultures here. Developed separately from the other chapters of nikkiartwork.com, True Colors is considered as one complete and independent project. I’ve posted a few more of the recent pieces in this series on nikkiphotography.com

Framing on “Northern Delights” update

Tuesday, December 14th, 2010

Northern Delights work continues, acrylics painting 24 x 36 inches with 36 x 48 inches canvas frame
Northern Delights, 24 x 36 inches on 36 x 48 inches canvas frame

Northern Delights, acrylics on canvas, 24 x 36 inches on top of a 36 x 48 inches canvas, work on framing in progress. Left: Day 01, above: Day 02

Frame, Day 02:   The abstract framed around impressionist styles don’t really belong together, but I kind of like it anyway; so unexpected..unpredictable..rebellious!

Frame, Day 01: I could never find the right frame for this painting — ones I tried ended the picture too abruptly at the edges, yet I knew it needed something, so yesterday I mounted it onto another canvas. I’ve found the solution, not only for this piece, but for my own sense of peace. Work as reprieve from work…imagine that!

Here is the finished painting as it was previously. I used masking medium to block out areas that are intended to stay white, and am continuing the same technique on the back frame.

Morning Light – commission for a second version

Wednesday, September 8th, 2010

Morning Light 02, detail of Phase 12 work in progress, almost finished

Above: Sept. 12th detail

Morning Light 02, Phase 09 upper detail, work in progress

Morning Light 02, above: upper detail of 60 x 40 x 3 inches acrylics on canvas in progress, comissioned work (NFS)  

Morning Light 02, 60 x 40 x 3 inches acrylics on canvas in progress - phase 01Morning Light 02, Phase 03 work in progressMorning Light 02, Phase 07 work in progressMorning Light 02, Phase 09 work in progress

Phase 01, 03 and 07 show various changes and adjustments made as I attempt to paint Morning Light 02 as close as possible to the original version. As this is a unique individual painting in its own right, copying is not the goal. As work progresses, the most important thing is to find the same light and etherial qualities as in the first version.

Summer travels

Friday, August 13th, 2010

  Archean rocks, Lake Superior just east of Wawa, OntarioArchean rocks, Lake Superior just east of Wawa, OntarioLichen, Lake Superior just east of Wawa, OntarioLichen and distant shoreline, Lake Superior, Ontario, CanadaLichen, Lake Superior just east of Wawa, Ontario

When I’m back in Dallas blogging regularly again, these photos will be posted on the photography website. An unplanned extra trip from Alberta to Ottawa; in Ontario a second time, means I won’t be back until the first week of Sept. Here are a few photos I took on the shores of Lake Superior just east of Wawa, ON.

On exhibit

Friday, July 9th, 2010

  Dandelions, 16 x 20 acrylics on canvas, dark brown wood frame with red trim design. Total size 22 x 28 inchesDandelions, detailBonsai Garden, Chinese Garden, Singapore  9 x 12 inches graphite on paperMilkweed Melody, 27H x 33W inches framed Oil Pastels on 140 lb cold pressed premium watercolor paperSeasonal, 36 x 24 x 2 inches acrylics on canvas, gallery wrapped sides painted, narrow frame

On exhibit at Oxide Gallery, Denton, TX

Dandelions, 16 x 20 acrylics on canvas, dark brown wood frame with red trim design. Total size 22 x 28 inches, Bonsai Garden, Chinese Gardens, Singapore  9 x 12 inches graphite on paper  Milkweed Melody, 27H x 33W inches framed Oil Pastels on 140 lb cold pressed premium watercolor paper, Seasonal, 36 x 24 x 2 inches acrylics on canvas, gallery wrapped sides painted, narrow frame

Stars and Fireflies

Sunday, June 27th, 2010

   Stars and Fireflies, photoshop

Home from Singapore for a few days, and having to go north to pack up the Dancing With Trees exhibition, I drove up to Ontario first so I could see my sons in Canada before Christmas. At night in the fields and trees from Tennessee to Michegan there are stars and fireflies in the trees – so magical! Until I can express it in paint (and I must!), here is a quick photoshop impression.

Bonsai Garden

Saturday, May 29th, 2010

  Bonsai Garden, 9 x 12 inches graphite on paper

Bonsai Garden, Chinese and Japanese Gardens, Singapore  9 x 12 inches graphite on paper

FYI: I’m enabling the comments section again…will just have to keep deleting spams.

Dancing With Trees Art list for Madison, WI

Friday, April 16th, 2010

 

Dancing With Trees, exhibition signature piece, 85H x 45W x 3D inches acrylics on canvas Norway Maple, 48H x 36W x 2D inches acrylics, gel paste on canvas Sounds of Silence, 36H x 24W x 2D inches acrylics on canvas Neighborhood Heron, 11H x 11W x 3D inches acrylics on canvas Jones Falls, 11H x11W x 3D inches acrylics on canvas
St. Catherine's Sunset, 11H x11W x 3D inches acrylics on canvas Paint Arson, 11H x 11W x 3D inches acrylics on canvas Sweetgum, 11H x 11W x 3D inches acrylics on canvas Reflections, 11 x 11 x 3 inches acrylics on canvas Chapala Wind, 11 x 11 x 3 inches acrylics on canvas
Ceiba Leaves, 11H x 11W x 3D inches acrylics on canvas Kookaburras, 11H x 11W x 3D inches acrylics on canvas Young Howler Monkey, 11H x 11W x 3D inches acrylics on canvas Shadows of Summer, 60H x 40W x 3D inches acrylics on canvas Spruce, 28 x 28 x 1” acrylics on canvas
First Snow, 40H x 28W x 1D acrylics, crackle glaze on canvas Polypore Fungi, 58H x 41W x 2D modeling paste, acrylics on canvas Morning Light, 59 x 40 x 2 inches acrylics on canvas What Large Leaf Maples Do At Night: day view, 20 x 57 x 4 inches acrylics on canvas, LED light system What Large Leaf Maples Do At Night: night view, 20 x 57 x 4 inches acrylics on canvas, LED light system
The Campsite, professionally framed size 22 x 29 inches, watercolors on 140 lb. acid free cold pressed premium Salt Spring Island Fog, professionally framed size 29 x 34 x 3 inches, dry pastel, graphite on paper Eastern White Pine, professionally framed size 26 x 32 inches, oil pastels on paper White Pine Bows, 20 x 34 x 1.5 inches acrylics on canvas Scarlet Oak: Sun Shower, more Photography on www.majestyoftrees.com

Paintings as shown are not to scale in comparison to one another

The Dancing With Trees Art Exhibition celebrates the importance of trees and forests throughout history, portraying their diversity and relationships through a variety of creative associations. Twenty three of the paintings in this collection are on exhibit in the Steinhauer Trust Gallery at the University of Wisconsin-Madison Arboretum, May 1st through June 30th, 2010. Opening Reception Saturday May 1st, 12:45 – 4:00 p.m.

All life forms on this planet proliferated, continue to flourish, and ultimately depend on the existence of trees. While the message is urgent, I consider humanity’s role on the planet as positive, with the statement that creativity is our greatest asset; that “Our carbon footprint is worthy”. Further, creative thinking is our most primal, yet highly advanced and ever-evolving contribution toward solutions to healing wrongs done and changing ingrained habits to ones that are more appreciative of the environment in general.

Purchase Art here                                 Purchase Photography here

Viper’s Bugloss

Thursday, February 25th, 2010

Viper's Bugloss, 18 x 25 inches Dry Pastels on paper

Viper’s Bugloss, 18 x 25 inches Dry Pastels on paper. With pink buds and blue-violet flowers along tall stems, it’s tempting to bring these wildflowers in as cut flowers, but the plants’ properties make the skin itchy and sore, so are best enjoyed left where they are, growing in masses beside the highways in eastern Ontario during the summer. I was curious about the name… according to the Encyclopedia of Herbs and Herbalism edited by Michael Stuart (c. 1979, 1987 ISBN 0-9999-48911), they were formerly one of the most respected plants used for the treatment of viper’s venom.

Learning to give critique

Wednesday, December 9th, 2009

Sounds of Silence, 36 x 24 x 2 inches acrylics on canvas, gallery wrapped sides paintedCreating Art and talking about are truly two different ways of seeing; the theory of right and left brain thinking is matter-of-fact. As an Artist it takes some effort to ”switch brains” and reflect on the processes and progress of work in order to accompany my Art with writing on this blog, so I’m really impressed with the mature quality of the critiques given by students at  Olive Stevens Elementary School of paintings on their school Art blog every month.

In collaboration with Oxide Gallery, the Denton school has started a blog where students – or anyone else actually – can give a critique of a different work of Art each month. This month the comments regard the recently finished Sounds of Silence, which is also at the gallery.

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