When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them". (Nikki)

"...the painting has a life of its own. My mission is to bring forth this life". (Jackson Pollock)

"Trust your intuition, it's just like goin' fishin'; you cast your line 'til you get a bite." (Paul Simon)

furniture

Practical design

Tuesday, December 21st, 2010

 End Table 01, 24H x 12D cardboard tube and paper mache, 20 inch glass topEnd Table 02, 24H x 12D cardboard tube and paper mache, 20 inch glass top

“Necessity is the mother of invention.”
Aesop’s Fables

Oak Leaf bedside tables, 24H x 12D with a 20 inch glass top, crinkled brown craft paper over heavy cardboard tubes. The tubes are available in a variety of dimensions, sold in hardware stores as use for cement-pouring re: fence building.

Details of Oak headboard and bed frame by Jim DruryI’ve had this idea to make bedside tables for a few years now, and selling the house  has motivated me to finally make them.  I have not been able to find any in the stores that I like. Faux suede effects were the intention here, but whether or not that was successful, I’m pleased with the results. A brown circular woven mat was purchased for $2, finishing the look.

These bedside tables coordinate the oak leaves on the oak headboard that was carved and given to us by my Dad.

Good things come in threes

Wednesday, February 10th, 2010

 Cycad Fossil refurbished vintage chair, 29 x 29 x 29 inches mixed mediaSalish NW Pacific culture wooden Whorl replica refurbished vintage chair, 29 x 29 x 29 inches mixed mediaMayan bowl replica refurbished vintage chair, 29 x 29 x 29 inches mixed media

Cycad Fossil Chair, Salish NW Pacific culture wooden whorl replica Chair, and Ancient Mayan bowl replica refurbished vintage chair, 29 x 29 x 29 inches mixed media. Read the feature article.

On exhibit and available for purchase February 11th – 27th at Visual Image Fine Art Puiblishing and Gallery Juried Show, 14320 Midway Road, Suite 300, Dallas, Texas.  Come and meet all the Artists at the Opening Reception this coming Saturday, Feb. 13th, 3 – 9 p.m.

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Good Artist Pals also come in threes

Some friendships will last forever, and how fortunate that three of mine also happen to be artists! Listed in no particular order of favoritism, each are miles apart geographically speaking and personality-wise, but they all have one thing in common: they’ll tell it like it is if you ever need a good critique, and on the flip side of the coin: a smile, a boost of energy; encouragement. I’ve posted my favorite works created by each, and highly recommend browsing each of their websites..

 Chris Bolmeier: Happy Pigs, oil on canvas Karen Xarchos: restaurant mural, Ottawa, ON Canada Virginia Wieringa: Prayer, mixed media collage

a) Chris Bolmeier: Happy Pigs, Oil on canvas  I met Chris on the internet three years ago through Robert Genn’s Painter’s Keys newsletters. Formerly an actress and professional singer, she’s not through yet with entertaining you through humour, song and paint. She often posts mini-videos of herself singing, and her artwork is pure, straight from the gut, and some of the funniest, most original material ever. I chose this piece to share as an absolute favorite, portraying fanatically goofy pigs because it makes me laugh…not just smile, but laugh Christerically every time I look at it. In my opinion her best work is of childhood memories, and some of the baffling stuff that originates from who knows where in the infinite canvas of her mind!

b) Karen Xarchos: Restaurant mural in Ottawa, Ontario, Canada  Karen and I were neighbors many years ago. We designed and painted murals together in the Ottawa area for a couple of years. Thank goodness for the internet, we’re able to keep in touch when either of us needs a good eye and some honest advice. Karen’s style and mine are vastly different; our pace, the style, the manner and we continue to learn so much from each other. She reminds me to slow down and smell the paint; her blending techniques are amazing.

Karen accepts commissions for canvas pieces like wall borders painted at home, then cleverly installs them with wallpaper paste so home owners can remove the work and take it with them when they relocate. My favorite work of Karen’s are the murals depicting work of the Masters, which are enjoyed by customers dining in many of the Greek and Italian restaurants in the Ottawa area.

c) Virginia Wieringa: Prayer, mixed media collage  Virginia and I met about four years ago on an Artists’ interactive website, wetcanvas.com, and I think she still participates there under the avatar name ”Veedubya”. I’m positive she’d love to meet you there too. Virginia has well-developed drawing and painting abilities and currently experiments intuitively with mixed media collage. Her work, no matter what the media, reflects her open-mindedness and strong sense of spirituality. Formerly an Art teacher, she’s fun to write to because she puts up with my inner-most silly self and doesn’t hold back her own. My favorite work of Virginia’s are the subtly symbolic collages, and some of the more vivid, energetic paintings that are about two phases pre-Realism.

The Tree of Life

Monday, November 30th, 2009

The Tree of Life, Refurbished vintage chair, mixed media - in progress

The Tree of Life, 29 x 29 x 29 inches mixed media; refurbished vintage plastic lawn chair, woven canvas strips and white glue, thin layers of drywall compound: cured, sanded, carved, acrylics paint, varnish. Durable, completely functional.

There was an interesting buildup of colors after a lot of changing colors and repainting the design many times, so the impressions of this chair are created like the other chairs in this series; ancient artifact replicas. The back design is still in progress. View an earlier post of this chair, April 18th, 2009, and the other chairs are listed on the Art, Prices page.

Sumac Bushes Chair finished

Tuesday, May 5th, 2009

Sumac Bushes, front and back details, acrylics on canvas; functionalSumac Bushes, refurbished directors chair, acrylics on canvas; functional

Sumac Bushes  47H x 22W x 16D inches refurbished directors chair, acrylics on canvas

Four cropped pieces of the 1999 painting that inspired this chair hang above it, framed red; the chair and small paintings are a set.

One of four 4 x 3 inch cropped pieces of the original 1999 painting that inspired the directors chairOne of four 4 x 3 inch cropped pieces of the original 1999 painting that inspired the directors chairOne of four 4 x 3 inch cropped pieces of the original 1999 painting that inspired the directors chairOne of four 4 x 3 inch cropped pieces of the original 1999 painting that inspired the directors chair

Click here to view the previous post  January 6th.

Fossils Chair, Homage to The Earth – finished

Wednesday, April 22nd, 2009

 Fossil Chair with Cycad leaf fossil replica; original was discovered in a Wyoming, USA river basin

Left detail, carved and paintedRight detail, carved and painted

Fossils Chair, Homage to The Earth , started in January and finished today, except for refining the bark fossil patterns. The original posts of the process are included here also. 29 x 29 x 29 inches refurbished vintage chair, canvas strips, plaster, carved, acrylics, varnish, waxed.  Above: detail, front  Below: details,back

 Detail of 250 million year old fossils and representation of fossilized tree bark on the back of the chairDetail of 250 million year old fossils and representation of fossilized tree bark on the back of the chairDetail of 250 million year old fossils and representation of fossilized tree bark on the back of the chair

250 million year old fossils found in the Dallas, Texas area

Myalina, extinct genus of clams. Fossils found in a Dallas, TX playground rock mixture.Left:The back  of this chair has authentic 225 – 345 million year old fossilized clam shells  embedded around the circumference. Next, the Encyclopedia Britannica listing. The fossils were found in a mixture of  playground  pebbles in Dallas, TX.

 Portrayed on the front of the chair is the fossil of a Cycad, the first of palm-like trees that grew about 50 million years ago in a Wyoming riverbed.  The first trees on Earth were actually nothing more than woody stems standing in and absorbing nutrients from water.  Patterns of fossilized Paleozoic Lepidodendron bark- leaf scars are painted on the underside of the chair. Lepidodendron were a primitive species of the very first trees on earth, reaching heights of 130 feet (40 m) tall around 400 million years ago. Can we even relate to those numbers?  That’s what I love about fossils – holding one and trying to comprehend Earth’s timeline is mind-blowing!

January 14th and January 24th updates, below: front details, work in progress on back/underside of the chair. After this stage, all details will continue to be refined with more carving and layers of acrylics. Haven’t done many details on the trilobites yet. The colors in the palm leaf still are too vibrant for a fossil, but are a perfect underlying color because it shows through when layers of blues and black are wiped away with a cloth.

Fossil Chair, left detailFossil Chair, Homage to The Earth - 29 x29 x 29 Vintage chair, woven canvas, carved plaster. Work in progress Fossil Chair, right detail

Lower detail of Fossil Chair, carved plaster, Acrylic paint inlay, sanded. In progress.

January 13th:Lower detail of Fossil Chair, carved plaster, Acrylic paint inlay, sanded. In progress. Trilobites will have painted detail.

Fossil Chair, Homage to Trees - 29 x29 x 29 Vintage Solaire chair, woven canvas, carved plaster. Work in progress, front surface, right Fossil Chair, Homage to Trees - 29 x29 x 29 Vintage Solaire chair, woven canvas, carved plaster. Work in progress, front surface, left

January 12th: While sanding the wood for the Sumac Bushes Chair during coffee breaks, I have started the Fossil Chair, paying homage to the fact that without trees, all life on Earth would not be so prolific, and might not exist at all. Fish and Trilobytes are carved into the plaster on the front surface of the chair as well. in this series.

The Tree Of Life chair

Saturday, April 18th, 2009

 The Tree Of Life refurbished 29 x 29 x 29 inches vintage chair, acrylics painting work in progress

April 18th, above: still in an extremely rough state, and still deciding about which colors to use and how. There must be much more plaster on the Salish chair, because this one is not carving as well. Only the Shou symbol will stand out carved..all else will be implied.  Blue, purple and green are the new black! Actually that’s the old Impressionist trick of course, but I also rarely use black if those 3 will do – they are much more lively and interesting than flat black. The Yin-Yang/Aboriginal legend snakes have been eliminated because working them in color-wise was going to be a problem. The Celtic design was getting lost in too much else around it. I am anxious to find another chair because I really want to do one with Australian-inspired motifs and colors.

Post-dated note: Unfortunately there is not enough room to show this for the premier of  the Trees show in Raleigh. I’m mostly relieved that there is extra time in my schedule now for preparations, but this chair now needs to be set aside in light of the other priorities.

The Tree Of Life refurbished 29 x 29 x 29 inches vintage chair, graphite on plaster, work in progressThe Tree Of Life refurbished 29 x 29 x 29 inches vintage chair, canvas strips, plaster marker outline, work in progress

April 14th:  29 x 29 x 29 inches vintage chair, canvas strips, layers of sanded plaster.

The design incorporates a few esoteric concepts common to many world cultures: Overall is the idea of the Tree of Life and the theory of As above, So below, represented by branches and roots. Symbolic of longevity along with the pine tree, and central to the design is the Japanese character Shou. The branches and roots of the pine tree are interwoven in the classic Celtic style, inspired by designs in the Book of Kells, gospel manuscripts that were illustrated by Irish monks around the year 800 A.D., common era. Two snakes drawn in the Yin-Yang placement represent Australian Aboriginal legends; the Rainbow Snake is their most important sacred symbol, believed to be the creator of all things. Christian biblical literature it is the snake who gives the apple from the Tree of Knowledge to Eve. There are more, but the rest you may like to discover yourself!

There is still plenty of intricate work to do with the roots – this’ll be fun!  Drawing freehand is much better than casting the original drawing on with light and tracing it because each time it’s drawn, first with graphite, then marker, then many layers of paint, I become more familiar with the lines and the final outline will be steady and clean.

April 7th: The Tree of Life preliminary sketch for the fourth refurbished vintage chair April 7, 2009: While studying some of the previous paintings that are still in progress, I sketched out my version of The Tree of Life, a preliminary drawing for the fourth refurbished vintage chair, and have also been layering and sanding the plaster in preparation for it. Colors planned are black, off-white and greens. The other 3 chairs in this series are shown on the price list page.

Sumac Bushes director’s chair

Tuesday, January 6th, 2009

?????? Back, 47H x 22W x 16D inches Acrylics on canvas refurbished tall wood director's chair, work in progress

 Seat, 47H x 22W x 16D inches Acrylics on canvas refurbished tall wood director's chair, work in progress

Back and seat of 47H x 22W x 16D inches refurbished tall wood director’s chair, work in progress. Acrylics on canvas, will be varathaned.. functional Art. The wood will be painted a dark faux cherry wood finish; reddish burnt sienna.

Salish Whorl Chair finished

Saturday, December 20th, 2008

 Salish (Pacific Northwest) Wooden Whorl - Vintage 1960s Chair and mixed media, finished 29 x 29 x 29 inches About the chairs: Art on Art on Art – A Tribute to Creativity

Each functional, comfortable 29 x 29 x 29 inch replica of ancient Art or artifact re-utilizes vintage plastic lawn chairs that were considered Art during the 1960’s. The original structures, damaged or unusable were refurbished by a process of weaving canvas strips along with white glue paper-mache style over the entire plastic top and bottom, and multiple layers of drywall compound sanded in between coats. Designs are drawn with graphite, painted with Acrylics and a few coats of varnish for durability, then waxed to finish and enrich the colors. Two more Solaire chairs and other styles of chairs are in various stages of completion yet to be embellished with historic Art themes from other cultures. Other styles of chairs are also in progress.

 Salish (Pacific Northwest) Wooden Whorl - finished detail -1960s Chair and mixed media 29 x 29 x 29

The skeletal structure of these chairs, called Solaire chairs, were manufactured during the 1960s and 1980s. Art in their own day, these particular ones were unusable; in poor condition they were bound for the landfill sight. Originals designed by Fabiano and Panzini, a French Canadian team, the Solaire chairs are now collectors items, some selling for $500 a piece.

The first chair given a facelift produced a large replica of a Mayan bowl. The Mayan culture (Mexico, Guatemala, Belize and parts of Honduras, 900 B.C. – 900 A.D. Common Era)  developed a very complex written language using pictographs. Many of these were facial expressions and hand gestures. The bowl displays the birth of the Maize God, and along the top edge the name of the bowl’s owner is written, as well as possibly what it was used for.

Salish Carved Wood Whorl 

Eve Spinning, 1170 A.D. Illuminated manuscript from the Hunterian Psalter (book of Psalms)Whorls are weights that stabilize spindles used for spinning yarn. The yarn in this case would have been wound just above the whorl. Spinning yarn and weaving fabric are some of humankind’s oldest technology. Left: example of a spindle with whorl,  Eve Spinning Illuminated Manuscript c. 1170 A.D.

Historically everywhere wood has been used for tools, utensils and everyday items, Salish Pacific Northwestern Native Wooden for spinning yarnthey were often carved. This spindle whorl was used by a Salish Northwest Pacific coast community living south and east of Vancouver Island. Here a central human figure holds two otters. A Kwakiutl (also living in Vancouver Island territory) prayer to a Cedar tree prayer was very much a part of the inspiration for this chair. It reads: “Look at me friend! I come to ask you for your dress, since there is nothing you cannot be used for. I come to beg you for this, Long-life maker”.

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Salish Wooden Whorl Chair - carving some edges of the design in set plaster to inlay paint

December 18th: Finishing details, further definition with Acrylics and two coats of varathane, waxed. Decided against the decoupage of the Kwakiutl (also living in Vancouver Island territory) prayer to a Cedar tree because it does not look as good as hoped. December 16th: Carved the plaster in areas then inlaying purple for contrast rather than black. Purple glazes also make yellows much richer. Salish Wooden Whorl Chair - rubbing off paint to create carved effects. Finished chair is varathaned then waxed. Right: back of chair, rubbed off areas give a carved effect. The undercoat of yellows shines through succeeding layers, and carved wood textures are created with varathane leaving raised brushstrokes..and trying whatever else I can think of! More modeling with plaster and light sanding, then redrawing with graphite, and the design is continually adjusted.

New chair started: Salish Wooden Whorl

Sunday, December 14th, 2008

1960's plastic lawn chair, woven canvas strips, glue, plaster

Graphite rough sketch on plasterThis functional replica of a Salish Carved Wood Whorl  re-utilizes a 1960′s plastic lawn chair, 29 x 29 x 29 inches that was considered Art in its own day. The refurbished chair has woven canvas strips and white glue applied paper-mache style over the entire plastic top and bottom. Multiple layers of wall plaster are sanded in between coats. The design is sketched with graphite then painted with acrylics, and drawing is continually adjusted as layering of materials continues.

First coats of Acrylics paint and texturizing with varnish Layering more plaster then redrawing and adjusting the design

This is the second chair of four in the historic Art-themed series. The other two chairs are in the earlier stages of progress.

Ancient Mayan Bowl Chair

Thursday, March 30th, 2006

  Mayan  Bowl, 1960’s chair

Mayan Bowl Replica - 29 x 29 x 29 inches durable, functional, comfortable refurbished  Vintage1960′s plastic lawn chair, Mixed Media

This replica of an ancient Mayan artifact reutilizes a vintage plastic lawn chair that was considered Art in its own day. The refurbished chair was created by a process of weaving canvas strips and white glue paper-mache style over the entire plastic top and bottom, layering wall plaster sanded in between coats, acrylics paint, varnish, graphite, marker, more varnish, then waxed for durability. Three more chairs are yet to be created with historic Art themes from other cultures.

The original bowl design is from the Late Classic Period of Mayan history, 600 – 900 A.D. Common Era, portraying two water Gods witnessing the birth of the all-important Maize God who immerges from a turtle, symbol of the earth and origins thereof. Customarily, hieroglyphs written along the top rim show the bowl-owner’s name and what the bowl was used for.
Inspirational resource: Maya, Divine Kings of the Rainforest edited by Nikolai Grube ISBN 3-8290-4150-0

  Mayan bowl Chair process

Post-dated notes: Accepted into Grand Prairie Arts Council Juried Exhibition and Sale Sept./Oct. 2007, and won Second Place cash award, 3D Category. Also accepted into Artjury.com’s 2007 Fall/Winter Juried Online Exhibition.