When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them". (Nikki)

"...the painting has a life of its own. My mission is to bring forth this life". (Jackson Pollock)

"Trust your intuition, it's just like goin' fishin'; you cast your line 'til you get a bite." (Paul Simon)

Art for sale

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New Series

Tuesday, May 25th, 2010

  Parkview Square, Singapore, 11 x 14 inches graphite on paper

Parkview Square, Singapore  11 x 14 inches graphite on paper

The opportunity to travel to Singapore popped up at a few days notice. While I’m here the plan is to do at least one sketch per day. The new series is called “Twenty-five Days in Singapore”. I drew the upper portion of the very unique Parkview Square building from my hotel room over the course of two days while recooperating after the 28 hour flight from Dallas. At a cost of $87 million, the Art Deco style building was completed in 2002. The eight fiberglass figures each holding a light-ball gaurd the buillding, only hint at the sort of art and design to expect on the grounds and the gorgeous interior.

Seasonal: finished, and process

Tuesday, May 18th, 2010

  Seasonal, 36 x 24 x 2 inches acrylics on canvas, gallery wrapped sides painted

May 18th added a little more permanent green and raw sienna to deepen tones and finish Seasonal, 36 x 24 x 2 inches acrylics on canvas, gallery wrapped sides painted

Process May 12th – 17th images below: 1) May 12th: in progress after 90 minutes.  2) Worked a few hours more. The lower quarter of the painting will be a fairly detailed Lilac, and am leaving the blurry, semi-impressionistic background.  3) May 13th: blocked out shapes and lighting. Now jots of pure color will be added to the main flower to make it stand out from the rest. Tones need some correcting also.   4) May 17th: After 4 days more, the work needs studying before painting anything else. Past the point of no return, meaning: I had hoped to keep this one simple with few brushstrokes and limited palette, but it didn’t work out that way. One stroke over the line! Almost finished…working on the more contrast because the painting is overall flat now.

  Seasonal, 36 x 24 x 2 inches acrylics on canvas, in progress1) Seasonal, 36 x 24 x 2 inches acrylics on canvas, Phase 02 in progress 2) Seasonal, 36 x 24 x 2 inches acrylics on canvas3) Seasonal, 36 x 24 x 2 inches acrylics on canvas, gallery wrapped sides painted 4)

Below: May 12th, just started. Central detail: dripping and scratching, paint removal techniquesA damp cloth is used to remove areas of wet paint to soften and create texture. Left: central detail of phase 02, dripping water over damp paint and scratching with fingernail under a cloth.                                                                                                           

Support Your Artists

Tuesday, May 11th, 2010

Support Your Artists slogan, design copyright nikkiartwork 2008Design Copyright nikkiartwork 2008

One of my sons, Adrian, is a restaurant manager back in Ontario, Canada. On the side, his digital embroidery business, Ya Sew What customizes any logo, phrase or design on any wearable product, specializing in caps. Quantities of embroidered (or printed) caps and wearable products sporting this slogan can be purchased by contacting Adrian.

Alternatively, to order one or two printed products like T-shirts, mugs and buttons featuring this design, click here. However, until I work out details with Adrian and arrange to sell his products via PayPal on my Art purchasing page here, Cafe Press will earn 75% of the asking price, which ironically does not heartily support your artist! It’s a great temporary venue though.

“Simplicity is best” was the advice from my other son, Adam, who is a graphic designer, so rather than show the complete written message of “Support Your Artists”, the version above omits the first two words. In any case, the design is available with or without wording, in any color, with or without borders.

Basic Drawing workshops in May

Monday, April 26th, 2010

Iris, 24 x 18 inches oil pastels on paperIris, 24 x 18 inches Oil Pastels on paper

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Basic Drawing and Color Play

Workshops 

Dates:
1) Saturday, May 15th 10:30 a.m. – 4:00 p.m.
2) Saturday, May 22nd 10:30 a.m. – 4:00 p.m.

Ages: Young adult (16) – Adult – Seniors

Experience Level:
Beginners to Experienced Artists, maximum number of participants: 6

The Workshop:
We will sketch simple objects using a variety of loosening-up techniques, graduating to a more complex still-life arrangement, fun with color, then a longer study period in the afternoon.
Supplies:
Bring favorite reference photos or items that you’d like to study, sketchpad and supplies that you usually work with. A variety of papers and drawing supplies will be on hand to experiment with during class. Also bring beverage and lunch.

Fees:
Registration (pre-paid) – $50.00 Oxide Gallery 501 West Hickory St., Denton, Texas 940-483-8900

Registration Deadlines:
March 12th and March 19th – Maximum Students per Class 6

Dancing With Trees Art list for Madison, WI

Friday, April 16th, 2010

 

Dancing With Trees, exhibition signature piece, 85H x 45W x 3D inches acrylics on canvas Norway Maple, 48H x 36W x 2D inches acrylics, gel paste on canvas Sounds of Silence, 36H x 24W x 2D inches acrylics on canvas Neighborhood Heron, 11H x 11W x 3D inches acrylics on canvas Jones Falls, 11H x11W x 3D inches acrylics on canvas
St. Catherine's Sunset, 11H x11W x 3D inches acrylics on canvas Paint Arson, 11H x 11W x 3D inches acrylics on canvas Sweetgum, 11H x 11W x 3D inches acrylics on canvas Reflections, 11 x 11 x 3 inches acrylics on canvas Chapala Wind, 11 x 11 x 3 inches acrylics on canvas
Ceiba Leaves, 11H x 11W x 3D inches acrylics on canvas Kookaburras, 11H x 11W x 3D inches acrylics on canvas Young Howler Monkey, 11H x 11W x 3D inches acrylics on canvas Shadows of Summer, 60H x 40W x 3D inches acrylics on canvas Spruce, 28 x 28 x 1” acrylics on canvas
First Snow, 40H x 28W x 1D acrylics, crackle glaze on canvas Polypore Fungi, 58H x 41W x 2D modeling paste, acrylics on canvas Morning Light, 59 x 40 x 2 inches acrylics on canvas What Large Leaf Maples Do At Night: day view, 20 x 57 x 4 inches acrylics on canvas, LED light system What Large Leaf Maples Do At Night: night view, 20 x 57 x 4 inches acrylics on canvas, LED light system
The Campsite, professionally framed size 22 x 29 inches, watercolors on 140 lb. acid free cold pressed premium Salt Spring Island Fog, professionally framed size 29 x 34 x 3 inches, dry pastel, graphite on paper Eastern White Pine, professionally framed size 26 x 32 inches, oil pastels on paper White Pine Bows, 20 x 34 x 1.5 inches acrylics on canvas Scarlet Oak: Sun Shower, more Photography on www.majestyoftrees.com

Paintings as shown are not to scale in comparison to one another

The Dancing With Trees Art Exhibition celebrates the importance of trees and forests throughout history, portraying their diversity and relationships through a variety of creative associations. Twenty three of the paintings in this collection are on exhibit in the Steinhauer Trust Gallery at the University of Wisconsin-Madison Arboretum, May 1st through June 30th, 2010. Opening Reception Saturday May 1st, 12:45 – 4:00 p.m.

All life forms on this planet proliferated, continue to flourish, and ultimately depend on the existence of trees. While the message is urgent, I consider humanity’s role on the planet as positive, with the statement that creativity is our greatest asset; that “Our carbon footprint is worthy”. Further, creative thinking is our most primal, yet highly advanced and ever-evolving contribution toward solutions to healing wrongs done and changing ingrained habits to ones that are more appreciative of the environment in general.

Purchase Art here                                 Purchase Photography here

Norway Maple: finished, combined posts

Friday, April 9th, 2010

  Norway Maple, 36 x 48 x 2 inches acrylics, modeling gel on canvas

Norway Maple in Madison, Wisconsin, 36 x 48 x 2 inches acrylics and modeling gel on canvas, gallery wrapped sides painted, narrow frame, finished April 9th

Norway Maple: working more on background, tones, horizontal shapesMarch 9th: Subtle changes since last post…have been working more on tones in the background, which weren’t planned initially; I had hoped to use only pure colors without the usual layering, but it’s otherwise too hard to look at. Also am connecting a few shapes horizontally, and it’s almost “there”, but 2D Pinecone was started in the meantime to avoid overworking this.

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Merging Visions Exhibition

Tuesday, April 6th, 2010

  Milkweed Melody, 27H x 33W inches framed Oil Pastels on 140 lb cold pressed premium watercolor paper

Milkweed Melody, 27H x 33W inches framed Oil Pastels on 140 lb cold pressed premium watercolor paper 

Partnering with poet Christina Smith and her poem, Earth’s Love Song Milkweed Melody is showing April 1st – 30th at the VAST (Visual Arts Society of Texas) and Denton Poets Assembly collaborative event, Merging Visions Exhibition, with art and poetry at both the Emily Fowler and North Branch Libraries, Denton, Texas. Opening Receptions Saturday, April 17th 10 a.m. – 12 p.m. at Emily Fowler and 1 – 3 p.m. at North Branch

Viper’s Bugloss

Thursday, February 25th, 2010

Viper's Bugloss, 18 x 25 inches Dry Pastels on paper

Viper’s Bugloss, 18 x 25 inches Dry Pastels on paper. With pink buds and blue-violet flowers along tall stems, it’s tempting to bring these wildflowers in as cut flowers, but the plants’ properties make the skin itchy and sore, so are best enjoyed left where they are, growing in masses beside the highways in eastern Ontario during the summer. I was curious about the name… according to the Encyclopedia of Herbs and Herbalism edited by Michael Stuart (c. 1979, 1987 ISBN 0-9999-48911), they were formerly one of the most respected plants used for the treatment of viper’s venom.

Little pen sketches

Thursday, February 25th, 2010

 Marie Lake campsite, Alberta, pen on paper

Marie Lake campsite, Alberta, 8 x 10 inches pen on paper

I’m trying to get a painting started that’s all planned in my mind’s eye, but have been finishing written articles and upgrading/updating the websites, so these little pen sketches are all I can manage lately; maybe a series is borne?

Good things come in threes

Wednesday, February 10th, 2010

 Cycad Fossil refurbished vintage chair, 29 x 29 x 29 inches mixed mediaSalish NW Pacific culture wooden Whorl replica refurbished vintage chair, 29 x 29 x 29 inches mixed mediaMayan bowl replica refurbished vintage chair, 29 x 29 x 29 inches mixed media

Cycad Fossil Chair, Salish NW Pacific culture wooden whorl replica Chair, and Ancient Mayan bowl replica refurbished vintage chair, 29 x 29 x 29 inches mixed media. Read the feature article.

On exhibit and available for purchase February 11th – 27th at Visual Image Fine Art Puiblishing and Gallery Juried Show, 14320 Midway Road, Suite 300, Dallas, Texas.  Come and meet all the Artists at the Opening Reception this coming Saturday, Feb. 13th, 3 – 9 p.m.

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Good Artist Pals also come in threes

Some friendships will last forever, and how fortunate that three of mine also happen to be artists! Listed in no particular order of favoritism, each are miles apart geographically speaking and personality-wise, but they all have one thing in common: they’ll tell it like it is if you ever need a good critique, and on the flip side of the coin: a smile, a boost of energy; encouragement. I’ve posted my favorite works created by each, and highly recommend browsing each of their websites..

 Chris Bolmeier: Happy Pigs, oil on canvas Karen Xarchos: restaurant mural, Ottawa, ON Canada Virginia Wieringa: Prayer, mixed media collage

a) Chris Bolmeier: Happy Pigs, Oil on canvas  I met Chris on the internet three years ago through Robert Genn’s Painter’s Keys newsletters. Formerly an actress and professional singer, she’s not through yet with entertaining you through humour, song and paint. She often posts mini-videos of herself singing, and her artwork is pure, straight from the gut, and some of the funniest, most original material ever. I chose this piece to share as an absolute favorite, portraying fanatically goofy pigs because it makes me laugh…not just smile, but laugh Christerically every time I look at it. In my opinion her best work is of childhood memories, and some of the baffling stuff that originates from who knows where in the infinite canvas of her mind!

b) Karen Xarchos: Restaurant mural in Ottawa, Ontario, Canada  Karen and I were neighbors many years ago. We designed and painted murals together in the Ottawa area for a couple of years. Thank goodness for the internet, we’re able to keep in touch when either of us needs a good eye and some honest advice. Karen’s style and mine are vastly different; our pace, the style, the manner and we continue to learn so much from each other. She reminds me to slow down and smell the paint; her blending techniques are amazing.

Karen accepts commissions for canvas pieces like wall borders painted at home, then cleverly installs them with wallpaper paste so home owners can remove the work and take it with them when they relocate. My favorite work of Karen’s are the murals depicting work of the Masters, which are enjoyed by customers dining in many of the Greek and Italian restaurants in the Ottawa area.

c) Virginia Wieringa: Prayer, mixed media collage  Virginia and I met about four years ago on an Artists’ interactive website, wetcanvas.com, and I think she still participates there under the avatar name ”Veedubya”. I’m positive she’d love to meet you there too. Virginia has well-developed drawing and painting abilities and currently experiments intuitively with mixed media collage. Her work, no matter what the media, reflects her open-mindedness and strong sense of spirituality. Formerly an Art teacher, she’s fun to write to because she puts up with my inner-most silly self and doesn’t hold back her own. My favorite work of Virginia’s are the subtly symbolic collages, and some of the more vivid, energetic paintings that are about two phases pre-Realism.

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