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« Previous EntriesNorway Maple: final progress, combined posts
Sunday, February 28th, 2010
March 9th: have been working more on tones in the background, which weren’t planned initially; I had hoped to use only pure colors without the usual layering, but it’s otherwise too hard to look at. Also am connecting a few shapes horizontally, and it’s almost “there”, but 2D Pinecone was started in order to avoid overworking this.
March 6th: a huge thanks, Virginia for taking the time to write and digitize a detailed, objective critique. I sure appreciate your opinion about what might improve this. Spotted Cow Syndrome eh? Yes, you’re absolutely right. There needs to be one focus somewhere; left thumbnail shows another day of work..still in progress.
Sorry if you’re having problems registering to this site in order to make comments, but those rotten spams get through..
Norway Maple in Madison, Wisconsin, 36 x 48 x 2 inches acrylics and modeling gel on canvas, gallery wrapped sides painted.
Feb. 28th, above right: detail of above, left Adding a solid patch of turquoise to lower left and some tiny details like that may ground the whole thing, but that’s about it; am leaving it out of sight for a while. This really is a carnival of color, I love it!
Below thumbnails: Combined, edited posts of progression between Dec. 8th, 2009 - Feb. 27th, 2010 1) Started December 8th, 2009 2) Modeling gel is available in varied textures, finishes and viscosities. Acrylics paint can be mixed with the medium or when dry paint can be applied over top. 3) January 18th, 2010: work in progress; applying modeling paste to the base painting, and sculpting with a small trowel. 4) February 27th: lighter background colors were added in order to open up the space. The painting is too busy at this stage - a little heavy with brushstrokes actually, and needs to flow better.
Left: Jan 28th, detail image - used a dry brush so paint would catch mostly on the textures, and kept the feeling soft. Intentions are to maintain the fresh pure colors. Studied from a distance for about a week after this stage to contemplate what the next move will be.
All paintings and Art forms created from now until the end of April will be specifically toward the Dancing With Trees Exhibition to be held at the Steinhaur Trust Gallery, Wisconsin-Madison University Arboretum, scheduled May through June 2010.
Little pen sketches
Thursday, February 25th, 2010
Marie Lake campsite, Alberta, 8 x 10 inches pen on paper
I’m trying to get a painting started that’s all planned in my mind’s eye, but have been finishing written articles and upgrading/updating the websites, so these little pen sketches are all I can manage lately; maybe a series is borne?
Good things come in threes
Wednesday, February 10th, 2010
Cycad Fossil Chair, Salish NW Pacific culture wooden whorl replica Chair, and Ancient Mayan bowl replica refurbished vintage chair, 29 x 29 x 29 inches mixed media. More details about these chairs can be viewed here, items #11, 12 and 13.
On exhibit and available for purchase February 11th - 27th at Visual Image Fine Art Puiblishing and Gallery Juried Show, 14320 Midway Road, Suite 300, Dallas, Texas. Come and meet all the Artists at the Opening Reception this coming Saturday, Feb. 13th, 3 - 9 p.m.
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Good Artist Pals also come in threes
Some friendships will last forever, and how fortunate that three of mine also happen to be artists! Listed in no particular order of favoritism, each are miles apart geographically speaking and personality-wise, but they all have one thing in common: they’ll tell it like it is if you ever need a good critique, and on the flip side of the coin: a smile, a boost of energy; encouragement. I’ve posted my favorite works created by each, and highly recommend browsing each of their websites..
a) Chris Bolmeier: Happy Pigs, Oil on canvas I met Chris on the internet three years ago through Robert Genn’s Painter’s Keys newsletters. Formerly an actress and professional singer, she’s not through yet with entertaining you through humour, song and paint. She often posts mini-videos of herself singing, and her artwork is pure, straight from the gut, and some of the funniest, most original material ever. Her blog, which she entitles poignantly, ”Christerical” is exactly that. I chose this piece to share as an absolute favorite, portraying fanatically goofy pigs because it makes me laugh…not just smile, but laugh Christerically every time I look at it. In my opinion her best work is of childhood memories, and some of the baffling stuff that originates from who knows where in the infinite canvas of her mind!
b) Karen Xarchos: Restaurant mural in Ottawa, Ontario, Canada Karen and I were neighbors many years ago. We designed and painted murals together in the Ottawa area for a couple of years. Thank goodness for the internet, we’re able to keep in touch when either of us needs a good eye and some honest advice. Karen’s style and mine are vastly different; our pace, the style, the manner and we continue to learn so much from each other. She reminds me to slow down and smell the paint; her blending techniques are amazing.
Karen accepts commissions for canvas pieces like wall borders painted at home, then cleverly installs them with wallpaper paste so home owners can remove the work and take it with them when they relocate. My favorite work of Karen’s are the murals depicting work of the Masters, which are enjoyed by customers dining in many of the Greek and Italian restaurants in the Ottawa area.
c) Virginia Wieringa: Prayer, mixed media collage Virginia and I met about four years ago on an Artists’ interactive website, wetcanvas.com, and I think she still participates there under the avatar name ”Veedubya”. I’m positive she’d love to meet you there too. Virginia has well-developed drawing and painting abilities and currently experiments intuitively with mixed media collage. Her work, no matter what the media, reflects her open-mindedness and strong sense of spirituality. Formerly an Art teacher, she’s fun to write to because she puts up with my inner-most silly self and doesn’t hold back her own. My favorite work of Virginia’s are the subtly symbolic collages, and some of the more vivid, energetic paintings that are about two phases pre-Realism.
Alberta Spruce
Friday, February 5th, 2010
…there are too many other things to do, but I wandered off anyway, missing the Alberta Spruce, so brought some back to Texas with a few ink-pen and digital pen scribbles.
Most websites require that you register before leaving comments, but I was hoping not to have to resort to those kind of restrictions. Are the days of trust completely gone? I sure hope not in our daily life, but on the internet it’s only wise to be careful. I deleted 348 spam comments the other day, so if you wish to leave comments you must now fill out your name and email. Thanks!
A Heart Filled to the Brim
Sunday, January 17th, 2010
Above: finished final details yesterday. Started Aug.7th: A Heart Filled to the Brim, 36 x 48 x 2 inches, Water soluble graphite, acrylics on canvas. On exhibit along with Polypore Fungi February through May at the Oxide Gallery, Denton, Texas
An excerpt from the song, I Don’t Believe by Paul Simon on the CD, Surprise:
I don’t believe a heart can be filled to the brim
then vanish like mist as though life were a whim.
Maybe the heart is part of the mist
And that’s all that there is and could ever exist.
A portrait of Alzheimer’s honoring my Grandmother, my Mother-in-law (whose portrait this is, and whose 80th birthday is in two days), and now recently my own Mother who is in the earliest stages; and with empathy for all those afflicted, including the families dealing with the awful emotional reverberations caused by this disease.
Here are a few websites providing information about Alzheimer’s Disease
http://www.alz.org/index.asp
http://www.alzheimersrxtreatment.com/learnaboutalz.html
http://www.alzheimers.org/
Learning to give critique
Wednesday, December 9th, 2009
Creating Art and talking about are truly two different ways of seeing; the theory of right and left brain thinking is matter-of-fact. As an Artist it takes some effort to ”switch brains” and reflect on the processes and progress of work in order to accompany my Art with writing on this blog, so I’m really impressed with the mature quality of the critiques given by students at Olive Stevens Elementary School of paintings on their school Art blog every month.
In collaboration with Oxide Gallery, the Denton school has started a blog where students - or anyone else actually - can give a critique of a different work of Art each month. This month the comments regard the recently finished Sounds of Silence, which is also at the gallery.
The Tree of Life
Monday, November 30th, 2009
The Tree of Life, 29 x 29 x 29 inches mixed media; refurbished vintage plastic lawn chair, woven canvas strips and white glue, thin layers of drywall compound: cured, sanded, carved, acrylics paint, varnish. Durable, completely functional.
There was an interesting buildup of colors after a lot of changing colors and repainting the design many times, so the impressions of this chair are created like the other chairs in this series; ancient artifact replicas. The back design is still in progress. View an earlier post of this chair, April 18th, 2009, and the other chairs are listed on the Art, Prices page.
Exhibition Opening Dec. 1st
Wednesday, November 25th, 2009
Upcoming exhibition: monthly featured artist at Oxide Gallery in Denton, TX. Among the items on exhibit: most of the Magic Square series, Dawn at Bell Rock, Sounds of Silence, Polypore Fungi, Shadows of Summer, Eastern White Pine, and three of the vintage chairs. Opening Reception Tuesday, December 1st, 6:00 p.m. - 8 p.m., and the show runs until December 31st. Click here to view the work and price list.
http://oxidegallery.com/Flier-December.html
Left: Chapala Winds, Mexico, 11 x 11 x 3 inches acrylics on canvas, gallery wrapped sides painted, 1/16 of the Magic Square series, all painted as various aspects of trees for the Dancing With Trees Exhibition collection..
Dawn at Bell Rock
Sunday, November 22nd, 2009
Dawn at Bell Rock, Arizona 24 x 18 x 2 inches acrylics on canvas, finished today. Below: phases 01, 02 and 07
Breathing new life into work
Wednesday, November 11th, 2009
At The Alamo, San Antonio, TX 15 x 22 inches watercolors
Left: just started, before drip techniques Above: finished
Rather than continue with an “I’ve scene it all before” approach, the paper was held up straight let drips happen. Blowing through a straw cut in half (less effort than a whole straw to create the effects) the paint was directed around half-planned, half not.