When life gives you lemons, draw them, 11 x 14 inches dry pastels, graphite on paper

"When life gives you lemons, draw them". (Nikki)

"Trust your intuition, it's just like goin' fishin'; you cast your line 'til you get a bite." (Paul Simon)

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Smoky Lake Canola

Wednesday, April 12th, 2017

Smoky Lake Canola, 14 x 20 inches watercolors on 140 lb. cold pressed

Smoky Lake Canola, Alberta, Canada – 14 x 20 inches watercolors on 140 lb. cold pressed. This is my favorite Summertime memory of Alberta… miles of Canola fields and open, moody skies. The painting started off without the tree but needed a focal point. Detail images:

 Upper left detail of Smoky Lake Canola  Lower left detail of Smoky Lake Canola  Upper right detail of Smoky Lake Canola

Clearcut, Tillimook OR

Monday, March 6th, 2017

Clearcut, Tillimook OR - 18 x 24 inches watercolors on 140 lb cold press

Clearcut, Tillimook OR – 18 x 24 inches watercolors on 140 lb cold press. $750 framed. Detail images:

 Clearcut 01, upper left detail Clearcut 01, central left detail Clearcut 01, upper right detail

 Clearcut 01, lower left detail Clearcut 01, central right detail Clearcut 01, lower right detail

Ferny Gestures

Wednesday, March 1st, 2017

14 x 20 inches watercolors on 140 lb. cold pressed

Ferny Gestures, 14 x 20 inches watercolors on 140 lb. cold pressed

Oystercatchers

Monday, February 27th, 2017

Oystercatchers, 18 x 24 inches watercolors on 140 lb cold press

Oystercatchers, 18 x 24 inches watercolors on 140 lb cold press

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Oystercatchers, upper left detailThis is finished, although I’d love to merge the contrasts somehow. I don’t want to mess up the implied light though, or the initial spontaneous brush strokes, like in the background waves. Every new mark at this stage makes a difference too, and in context to the whole, even small changes affect other areas that need to adjust accordingly.
Oystercatchers, central detail Before you know it, colors mud together and beautiful open spaces disappear. I’m going to take direction from my most recent pieces, which I feel were over-worked, and quit while I’m ahead.
Oystercatchers, lower left detailChallenge is exciting…particularly with watercolors. Whereas with other media mistakes can be erased or covered easily and change can occur throughout the process without much hesitation, with watercolors a person needs to know a subject well – or at least be able to fake it with confidence!Oystercatchers, upper right detail
Finding a way to make each painting unique means following cues happening within the work itself. In this painting, the most remarkable thing occurred after the the first phase of production.
Oystercatchers, central right detailBecause this subject was unfamiliar, I started by first penciling in the shapes, wondering what I could do to make this less boring – you know, not just be a picture of Oystercatchers. When erasing the pencil marks in order to see what the paint had established, little rolls of eraser pieces scattered here and there. Sprinkled impromptu around the birds, those tiny eraser shreds added a pronounced and unexpected zing of life to the composition.Oystercatchers, lower right detail First thinking “what have I got to lose?”, the eraser-pieces were mimicked in paint around the birds. I’m tempted to make those strokes more prominent, but a small success is in order, so will use this fun technique in another painting.

North Saanich Poppies

Wednesday, February 22nd, 2017

North Saanich Poppies, 16 x 20 inches W/C on 140 lb. cold pressed premium

North Saanich Poppies, BC Canada – 16 x 20 inches W/C on 140 lb. cold pressed premium.

Mt. Walker Rhododendrons

Friday, February 17th, 2017

Mt. Walker, WA Rhododendrons, 22W x 15H inches WC on 140 lb cold pressed premium

Mt. Walker, WA wild Rhododendrons

22W x 15H inches WC on 140 lb cold pressed premium. Details:

Mt. Walker, WA Rhododendrons, upper left detail Mt. Walker, WA Rhododendrons, upper right detail

Japanese Maple

Saturday, February 11th, 2017

Japanese Maple, 20W x 15H inches WC on 140 lb cold pressed

Japanese Maple, 20W x 15H inches watercolors on 140 lb. cold pressed premium. Details:

Japanese Maple, left detail of 20W x 15H inches Japanese Maple, right detail of 20W x 15H inches

Dahlias

Sunday, November 6th, 2016

Dahlias, 22H x 28W inches, modeling paste and oil pastel on canvas board
Dahlias, 22H x 28W inches, modeling paste and oil pastel on canvas board

Monarda finished

Thursday, July 7th, 2016

Monarda finished, 24H x 28W inches acrylics
Monarda, lower right detail of 24H x 28W inches acrylics
Monarda finished, 24H x 28W inches acrylic son heavy bristol board. Total size 32H x 36W inches with black suede mat, gold trim then 4 inch red suede mat and gold frame.

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New Mexico Sunset

Saturday, February 7th, 2015

New Mexico Sunset, 11 x 14 inches oil pastels on paper

New Mexico Sunset, 11 x 14 inches oil pastels on paper

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